Elegy - Midsumma Festival preview

Based on interviews with gay refugees, Elegy is an emotionally powerful story of a young gay Iraqi man fleeing from persecution in search of a better life. Presented by independent theatre company Lab Kelpie, Elegy is a Midusmma Festival premiere event that should be on everyone's 'must see' list. The play, inspired by first-person accounts by photo-journalist Bradley Secker is paired with an exhibition by Secker of said photos, which allows the audience to build on what we are seeing on stage and create a greater sense of authenticity and honesty. 

"There was such an immense sense of emotion I felt after reading the story. I still have difficulty reading the script at times," co-producer Adam Fawcett says. "This story grabs you by the heartstrings with its capacity to explore love against the harsh reality of life in the Middle East for LGBTI people. The fact that it is based on real people made it all the more powerful for me. As soon as we both finished reading it, we knew we wanted to produce it."

Us review

Presented as part of La Mama Theatre's Explorations season of works in various stages of development, Margaret Hickey's Us provides an insight into six very different lives bound by one thing in common, a connection to others. Through six ten-minute monologues, these stories are explored in a light-hearted yet truthful way that has us questioning what it is we are seeking from other people.

Hickey has struck gold in assembling the cast that she has for this show.  Natalie Carr, Travis McMahon, Ned Napier, Daniel Rice, Sally-Anne Upton and Janet Watson Kruse, all find the essence of their characters and their individual displays of equal bravado and vulnerability are perfectly captured. It is clear that each has put in much thought as to how their character carries themselves and their state of mind.

Hitchcocks's Birds review

Alfred Hitchcock was a genius when it came to creating cinematic experiences. Very few directors, if any, have been able to recreate the tension and anxiety that Hitchcock managed to conjure up in scenes such as Janet Leigh's shower death in Psycho and Grace Kelly's attack in Dial M for Murder. However, behind the scenes, things weren't always so "great" for his leading ladies. In Hitchcock's Birds, Laura Johnston explores what it really meant to be a woman in one of Hitchcock's movies. 

Johnston portrays a number of these Hollywood legends, including Leigh, Kelly, Doris Day and Tippi Hedren and while many of the stories are not exactly new to anyone who has an interest in the man behind the camera or the women in front of it, the way Johnston tells these stories is what draws you in. Johnston uses verbatim interviews and speeches from these stars, which builds on the authenticity of Hitchcock's Birds. This is also supported by her portrayals of the eight actors, where with some simple but highly effective mannerisms and expressions she captures the elegance of Kelly, the liveliness of Day, the frustrations of Hedren and so on and so on. 

Shake review

Fittingly having her Melbourne premiere of Shake at The Butterfly Club, Becky Lou lives up to its name. Twirling tassels, bouncing breasts and jiggling buttocks; there is a lot of shaking going on. However, there is more to this show than just sexy and entertaining burlesque routines, as they are interspersed with Becky Lou's musings on significant moments in her life that have led to her career as a burlesque performer.

Shake is a well-crafted show that allows Becky Lou to expose herself in more than just the literal sense. Beginning with memories of her four-year-old self dancing topless in a supermarket to Madonna's Like A Virgin, each story that Becky Lou shares has a purpose. It's not for entertainment value, it's not to shock us, but it's to strengthen the relationship women have with their body.

In Search of Owen Roe review

In Search of Owen Roe is a story that begins from nothing. It is about Vanessa O'Neill's journey to discovering who her great-grandfather, Owen Roe, was. From a patch of grass on an unmarked grave in which he is buried under, O'Neill captivates us with her rich family history as she slowly begins to unravel the mystery of her great-grandfather.

O'Neill, is a wonderful storyteller and her ability to interweave various time spans into the show and play a variety of characters is quite masterful. Her use of some subtle but effective props strengthen the performance, especially Annie Edney's creation of O'Neill's family tree and the map of Ireland. It was extremely beneficial as an audience member to have these guides to refer to intermittently, to keep us grounded with all the characters and time periods.

I feel more emphasis was needed on Owen Roe himself however, as at times it felt like the story went off on a tangent. As touching and emotive as it was to hear about O'Neill's father's battle with Alzheimers, it was not what I ultimately wanted to learn about, as it did not do much to further Owen Roe's story. My attention was all on Roe and some refinement to ensure that he remains the focal point of In Search of Owen Roe is necessary.

I See Me; and Meryl Streep review

Everyone has an actor, singer, athlete or performer of some sort that they idolise and dream of being. As people get older, they generally grow out of the fantasy but not 17-year old Alexandra Keddie. She wants to be Hollywood actor, Meryl Streep, or at least be just like her. Welcome to cabaret show, I See Me; and Meryl Streep.

The stage immediately reminded me of when I was a teenager and my bedroom was adorned with posters, and memorabilia from Buffy the Vampire Slayer. From what I can see, Keddie appears to have every single film Streep has made, photos and posters, cushions and clothing with her face printed on them, and a signed frame image of her too. The finishing touch is the "Mountain to Meryl" chart, where she has a picture of Meryl's face at the top of a mountain and her own at the bottom. Each time Keddie perfects a new skill or accent, she climbs up the mountain, inching closer to her idol.

Ghost Machine review

There's a ghost that is said to haunt The Butterfly Club. Upstairs, in its theatre, it lingers on stage, flashing lights on and off and - oh hang on a minute, it's just Laura Davis covered in a white bed sheet in her 2015 Melbourne International Comedy Festival award-winning show, Ghost Machine.

Davis travels back to her first existential crisis, at the age of 11, and from there she revisits the moments in her life where things haven't always been that great. It is all done however in a masterful way where despite sharing these personal stories and experiences, she gives the audience permission to laugh at/with her because we can all relate to what she is saying. We have all experienced the despair, the rage and the humiliation of our circumstances in some way, shape or form.

Wet House review

A wet house is a hostel for alcoholic homeless men and women, where they can drink and sleep as much as they want with no expectations for them to be rehabilitated. They are more or less, the people that society has given up on. In Red Stitch's production of Paddy Campbell's Wet House, we get an insight into the lives of three residents and three workers of a wet house, each one struggling with their own redemption and reason for being.

Wet House is based on Campbell's first-hand experience of working in a wet house and you can see how effective a story can be when the writer well and truly knows what he is writing about. Not a single scene is wasted, no dialogue is filler, no movement is pointless. Everything that happens in Wet House has a purpose, and with six different stories being told, the pacing is controlled well and is never difficult to follow.