Boys on the Verge of Tears review | fortyfivedownstairs

A public bathroom is a private moment to do one's business. For most people, you're in and you're out. But in Boys on the Verge of Tears, a public bathroom becomes a confessional of sorts, as 40 male characters spill their secrets, fears, and repressed feelings regarding masculinity, from the safety of these fluorescent-lit walls.

With a cast of five actors - Ben Walter, Karl Richmond, Justin Hosking, Damon Baudin, and Akeel Purmanund - the talented ensemble showcases exceptional chemistry and skill. Under Keegan Bragg’s direction, they execute seamless and surprising character transitions complete with swift costume changes. Vocal coach Matt Furlani has achieved brilliant results in bringing out the London accents, and even when racing through dialogue or falling into drug-induced stupors, the performers convincingly maintain their accents.

Close Encounters review

It goes without saying that a night out watching the Briefs boys is going to be a hugely entertaining one. Fortunately, this cheeky bunch of jaw dropping talent has finally brought its newest show, Close Encounters, to Melbourne for a limited run at the Arts Centre. This time round, the troupe of sexy and energetic performers, led by their divine captain Shivannah (Fez Fa’anana), have come from the future to assure us that the human race is surviving and everything – and everyone - we are fighting for right now will be worth it.

What follows are a variety of cabaret, burlesque, circus and dance numbers that draw awareness to the importance of using our voices, particularly for those who don’t have the ability to, and for celebrating and loving everyone around us. The acts come thick and fast without the slightest of lulls. Even with a small wardrobe malfunction, Louis Biggs ensures he has firm control over his balls with an impressive juggling striptease act. The paired routine between aerialist Thomas Worrell swinging in a human birdcage and Shivannah is breath-taking in its execution and a powerful moment in expressing the humanity inside each of us.

Dudebox - Melbourne Fringe Festival review

Anything men can do, women can do better right? Except for maybe comedy. Which is why comedian and performer Kimberley Twiner has gathered a few of her nearest and dearest dudes to present 60 minutes of some hilarious dudes being hilarious dudes. Except the 'dudes' in Dudebox are all non-dudes and the show is in fact a patriarchal takedown of the attitudes that men hold towards women and even that women have towards each other.

Joining Twiner are some of the finest 'dudes" in the comedy scene consisting of Becky Lou, Selina Jenkins (Beau Heatbreaker), Fox Pflueger, Lily Fish, Sharnema Nougar, PO PO MO CO and the ever delightful The Travelling Sisters. Together they present wonderfully entertaining and thought provoking acts that has the entire room laughing out loud at their ingenuity.

Of particular note is the 'feminist' hens night complete with penis themed glasses, drink cups and accessories that culminates in a fantastic male striptease that could be taken right out of Magic Mike performed by talented burlesque performer Becky Lou. Twiner's artistic interpretation of Nicholson Street in her tradie act, expertly takes her time in setting the scene and carefully developing a character in a short amount ending with some brilliantly timed big dick energy.

One Punch Wonder - Melbourne Fringe Festival review

In One Punch Wonder, director and writer Amanda Crewes takes a fiercely honest and raw look at the impact of male violence and how masculinity is becoming synonymous with aggression and intimidation. 

The performance takes place in a boxing ring; it is the symbol of male dominance with the physical contact and the hostility that takes place inside. We are seated around the perimeter of the ring, like a cheering audience waiting for the punches and bloodshed. Except we never shout, we sit there, stunned by the performances and the material that is presented to us.

Club Briefs - Melbourne International Comedy Festival review

The boys from Briefs are gracing the Melbourne International Comedy Festival with three shows this year: The Second Coming, Brat Kids Carnival and Club Briefs. If you've seen a Briefs show before and don't have children, then you're best to go straight to the Club Briefs offering. If The Second Coming is to be considered your main meal, then Club Briefs is the dessert that you crave with the Briefs boys performing a variety of acts that are more extreme and risqué and with a lot more skin on display.

Louis Biggs opens the show with some cheeky rubrics cube puzzle solving and lollipops that end up in places they shouldn't. Biggs is the poster boy for naughty fun and stirs a buzz in the audience that sets the precedent of expecting the unexpected. Evil Hate Monkey similarly uses an act he's known for and takes it to the next level with his array of banana tricks and a climatic finale that fills the Spiegeltent with horrified laughter.

Ode To Man - Melbourne Fringe Festival preview

There was a time when the ideal man was depicted as someone physically strong, being unemotional and considered the provider of his family. These stereotypes have done neither men nor women any favours. After her critically acclaimed season at the 2015 Melbourne Fringe Festival with We May Have To Choose, performance artist Emma Mary Hall returns to the festival with Ode To Man, in which she smashes through these stereotypes with poetic rage.

Ode to Man's structure is set around 15 chapters, with Hall exploring what being a 'real' man is, means and should be to both men and women. "The show was sparked by a traumatic break up, which resulted in me spending two years interviewing almost 100 men (including every man I dated during that time) and asking them what it was to be a real man," she explains. "The show is me telling you what I heard. It's also about me trying to figure out how to live with their answers."

Hall premiered this work at the Melbourne International Comedy Festival (MICF) earlier this year to a sell-out season for what she refers to as a very personal and strange show. "It was wonderful to be working at the limits of my understanding of the work and what these ideas might say to others. There's a lot of discussion these days about gender and disconnection and confusion, but I don't see much work that is linking this confusion to the social and economic decisions we might make," she tells me.

Manfül review - Melbourne International Comedy Festival

Ask any man what type of body they would like to have, and the answer you'd get is most likely going to be something resembling Liam Hemsworth's. Or perhaps it would be the beefcake Dicky Rosenthal. Dicky is the brains (and brawn) behind the new muscle-gaining protein health shake, Manfül, and in Manfül, we are present at the launch of this drink that Dicky promises will transform us from being puny dweeb bags to real men.

Presented as part of the Melbourne International Comedy Festival, Manfül is a character-comedy piece written and performed by Josh Glanc in which he explores what it means to be a 'real' man and how this can sometimes clash with remaining honest to yourself and being what makes you happy.

Briefs review

Having seen Briefs last year in an upstairs room of the Athenaeum, I was more than eager to see them again for their short return Melbourne season. The six talented performers covering (or uncovering) burlesque, circus, drag and everything else in between, were a highlight of last year and after seeing their show on Tuesday night, remains a highlight for this year as well. 

Led by the charismatic and engaging bearded lady Shivannah (alter ego of ringmaster Fez Fa’anana), the performances are nothing short of mesmerizing and laugh-out-loud hilarity with plenty of skin on display - it is called Briefs for a reason, after all.

Straight White Men review

Upon entering Fairfax Studio at the Arts Centre Melbourne, you can’t help but notice Candy Bowers as the Stagehand-in-Charge sitting up in her booth, playing some hip hop music, including Khia’s racy “My Neck, My Back”. As the music plays, she regularly glances over the audience while flicking through a newspaper, the back page emblazoned with “Black Lives Matter”. Considering we are about to see Young Jean Lee’s Straight White Men, a play about a family of the four eponymous men getting together for Christmas celebrations, the ruthless satire is punching us in the face, especially as she makes her way down to the stage and introduces us to the make-believe world.

BOYZ - Midsumma Festival review

Your 20s are a time in your life where you finally step out into the real world and attempt to make sense of it all. For most, it includes moving out of the family home, graduating from studies and finding your place in life. Easier said than done though. Presented as part of Midsumma Festival, Paul Malek's new contemporary dance piece, BOYZ, explores what it means being a gay man in your 20s.

Whilst there is a feeling of frustration and boredom, things begin serenely enough with five males - Jayden Hicks, Samuel Harnett-Welk, Charles Ball, Lachlan Hall and Kurt Dwyer-William - living under one roof. However, the gradual exploration of their sexuality, individuality and how they fit in to a society such as ours, has them experiencing new and foreign moments. Malek incorporates some engaging storytelling through his choreography, and the characters the dancers take on maintain a sophisticated depth to them that I rarely witness in contemporary dance.

Elegy - Midsumma Festival preview

Based on interviews with gay refugees, Elegy is an emotionally powerful story of a young gay Iraqi man fleeing from persecution in search of a better life. Presented by independent theatre company Lab Kelpie, Elegy is a Midusmma Festival premiere event that should be on everyone's 'must see' list. The play, inspired by first-person accounts by photo-journalist Bradley Secker is paired with an exhibition by Secker of said photos, which allows the audience to build on what we are seeing on stage and create a greater sense of authenticity and honesty. 

"There was such an immense sense of emotion I felt after reading the story. I still have difficulty reading the script at times," co-producer Adam Fawcett says. "This story grabs you by the heartstrings with its capacity to explore love against the harsh reality of life in the Middle East for LGBTI people. The fact that it is based on real people made it all the more powerful for me. As soon as we both finished reading it, we knew we wanted to produce it."

Boyz - Midsumma Festival preview

For most people, your 20s can be life changing and an opportunity to grow and discover new things about yourself. It is a time to define who you are and what it is you want from life. Presented by Transit Dance, as part of the 2016 Midsumma Festival, Boyz is a dance piece that explores this passage into male adulthood, full of addictive behaviours, sexual habits and testosterone-fuelled tendencies.

"Boyz is a reflection on the beautiful and often frenzied existence of a young man's life in their early 20's. The constant self exploration, experimental interaction and uncontrollable urges that guide you through everyday life," director and choreographer of the work, Paul Malek says. "It's physical, which isn't surprising considering it is explored through contemporary dance and it is a celebration, and appreciation of the male form, and the exquisite capabilities and possibilities that can be created when it is thrust together with such subject matter."

Briefs review

For those who have an immense fear of audience participation, this show could possibly be your worst nightmare. But for those after some sexy excitement and fun, then look no further because Briefs has got you covered, or uncovered as the case may be. 

Formed in Brisbane, this all-male boylesque group has spent the last year travelling around Europe performing sell out shows to rave reviews. Melbourne finally gets its turn to revel in the skill and beauty on stage in a show that is not to be missed. 

All the performers - Shivannah, Captain Kidd, Dallas Dellaforce, Thomas Worrell, Evil Hate Monkey, Lachy Shelley and Louis Biggs - possess a strong sexual confidence among them, which is imperative when your acts revolve around you wearing minimal clothing (and sometimes nothing at all). They also happen to be highly talented individuals and while the show is heavily structured and choreographed, there is a naturalness to their performances that allows for spontaneity and surprises for both themselves and us. There is moreover a brilliant mix of variety in the acts and they are so well paced that the ride we are on never stops being enjoyable. 

Bad Adam / Pony review

On the surface, the double bill of Bad Adam and Pony during this year’s Midsumma Festival appears to be constrasting highly different pieces of work with their distinct moods and tones. However both these shows leave us questioning what it means to be a gay man and how gay male sexuality is perceived both by society – but more importantly – by us.

In Bad Adam, the title character (creator and performer Dosh Luckwell) spends his time in “Club Eden”, a sex on-premises venue, where we follow his various experiences and are privy to his thoughts during these moments. The overt religious imagery and themes throughout Bad Adam, such as the apples, the lit-up cross on the floor and our protagonist’s namefor example, worked well in subtly exploring the idea of sexual repression and suppression and the conflict the two forms of pressure often present with each other.

Given Luckwell is the creator of the live art project Sex Poetry Booth, it is not surprising he has a way with words and the language used and the way it is presented in Bad Adam is indeed quite poetic and intriguing at times. Yet while we see a vulnerable, lonely and conflicted side to Adam, a number of scenes were too similar in execution. This lessened the impact of the overall work and impeded us in retaining an interest in Adam which, in a one-man show, is pivotal to its success.

Am I a Bad Gay?

I often joke to my friends that one day, my license will be revoked; my license to be gay. I know a lot of people who will read this and disagree with me and that's fine, but from my experiences this is how I see the gay community as a whole, based on my experiences. I've been a practising homosexual for a decade and I still feel no closer to the gay community than those days when I would borrow my next door neighbour's Dolly magazines to read but secretly lust after the shirtless nameless models in their pages.

There are a number of reasons why I feel I am a bad gay; the main one being I hate gay clubs. The clubs I have been to are generally a cruising ground for sex. Not that straight clubs aren't but in the gay ones, sexual advances are extremely direct and confronting (and at times, close to sexual assault). Two examples that come to mind; I was in the toilets of one club when a guy walked up to me and asked 'can I suck your dick' while I was literally standing at the urinal. Another time, a customer I had served when I worked in retail recognised me out and as he walked past me, grabbed my penis and smiled at me. I didn't appreciate that but yet if I was to create a scene about these moments, I would be looked at as making a big deal over nothing. The themed nights that various clubs have such as 'foam parties' implicitly condone such behaviour.

Continuing on with the overly sexualisation in the gay community, the amount of times I have started talking to - and even dated - guys and then find out they are in open relationships is unbelievable. I was at the Peel about six months ago and this guy approached me. We chatted for a while and had a bit of a snog (yes I said snog, deal with it) and then I returned to my mates. As I was leaving, I went back to him, chatted a bit more, exchanged numbers and I headed home (that's the PG version anyway). We spent the weekend texting back and forth and organising to go out that following Thursday until he sent me a text on the Monday saying "hey, I really like you but I think you should know I already have a boyfriend but I still want to see you". Delete. I'm not judging anyone that is in an open relationship (even though I don't get it) but it's treated like such a casual, normal thing to mention to someone, to the point where I was told by a friend that I should have asked him if he had a boyfriend! I'm no prude and I like to think I've had my fair share of escapades (yes, at times I have used Grindr to fulfil these needs) but in a gay environment, I feel sexual inhibitions disappear and anything is deemed acceptable which does not sit well with me.

There is a strong sense of competition between gay men. Much more than what I witness and hear about amongst my straight male friends. There's this feeling of having to be better than and superior to each other. Walk down Chapel St and you can feel the eyes burning through you, looking you up and down, judging what you're wearing, how your hair looks and who good your body is. We're so hell bent on creating a gay community yet we create these divides that are anything but positive. Why would anyone want to be part of that?

I'm also not a participant of gay festivals or events; I've never been to MidSumma, Sydney Mardi Gras and I didn't even go to any Melbourne Queer Film Festival screenings. I feel no connection or openess to any of these. A new magazine "about men who date men" called Hello Mr. was released recently, which has intelligent and well thought out articles written by gay men from around the world. Whilst it was far superior to the semi-pornographic DNA-esque magazines that are around at the moment, I still was not won over. There were only three articles I genuinely enjoyed and was moved by but the rest of it felt preachy and at times, quite pretentious - further enhancing 'competition' within the gay community.

It is for these reason why I guess I don't have a lot of gay friends, which I am fine with, as choosing your friends based on sexual preference is just as ridiculous as choosing your friends based on sex. My friends are awesome and never have I ever been made to feel uncomfortable about who I am, directly or indirectly but I've also reached the stage now - having just turned thirty five months ago - where what I would really like is a relationship. Having turned my back on so many gay avenues, what else is left? Where do people who don't fit the gay community mould go? I keep thinking that I will meet the perfect guy when I am at a cool little cafe in Fitzroy or at a comedy gig I may be at and I don't need to go to the Greyhound or join a gay sports team to meet him.

So...am I a bad gay?