When the Aboriginal Marngrook
cousins join the (all-white) local football team, it means a new hope of
finally nabbing the premiership cup that has eluded the club for years. But as
they inch closer and closer to victory, tensions begin to simmer. Written by
Nathan Maynard, 37 explores the world of Aussie Rules and "Aussie
rules" of identity, community, and racism within a local footy club of
Cutting Cove Currawongs.
Maynard's story might take
place at a local level but by setting it amid Adam Goodes' challenging years as
a player for the Sydney Swans, he presents a global perspective to this small-town
event. The Number 37 guernsey wearer faced a bombardment of constant booing
from AFL audiences, being called an ape by a 13-year-old Collingwood fan and
accused of inciting violence for performing an Indigenous war dance at a match
where he mimed throwing a boomerang (and not a spear as was reported), towards
the Carlton cheer squad.
Reviews on the independent and professional performing arts in Melbourne, and interviews with those who create it.
Thursday, 30 January 2025
37 review
Friday, 24 January 2025
Dead To Me: A Comedy Ghost Tour review
We meet Bell at the Melbourne Town Hall and we are presented with a pair of headphones in which Bell speaks to us with. A little bit of housekeeping and we are off to our first location from this infamous date. We are led to restaurants, bars, cafes and entertainment venues (it was a long night) and get filled in on all the sordid details.
Wednesday, 22 January 2025
SPARK review
Sequels suck. Or so people say. The main criticism being they are a rehash of what came before it with no real exploration of fresh ideas or character development. In 2023, Ryan Henry presented his work CULT, an examination of acceptance through a queer lens of fitness and achieving the ultimate body. Fast forward to 2025, and Henry returns with the sequel to CULT: SPARK. While it definitely doesn't suck, there is a lack of ... spark in this production that looks at love, self-acceptance and self-awareness through a technologically centred queer lens.
In SPARK, Henry plays Simon a 30-year-old gay man who is still single! After an awkward date in which he has turned a gay man straight, Simon is visited by a digital assistant called Iris (spell it backwards), who is determined to help him uncover his authentic true self and what exactly he is seeking. With his phone battery charge indicative of the looming deadline, Simon experiences various dates and transformations to try and find the right guy.
Sunday, 19 January 2025
YOU CAN DO IT! (Follow Your Dreams) review
Presented by Easy Killer Productions, YOU CAN DO IT! (Follow Your Dreams) is the motivation we all need to go out and achieve big things, including suicide. This extremely dark comedy is not for the faint-hearted, that begins with two very disappointed and frustrated parents whose loser son can't even successfully kill himself.
Written by Simon Patrick Berman, YOU CAN DO IT! has dialled the absurdism to the max. This satirical look at families and perceptions of success kicks off with opening credits introducing us to the family to a warped Brady Bunch theme. We are definitely not about to watch something consisting of three very lovely girls.
Thursday, 16 January 2025
Feeling Afraid As If Something Terrible Is Going To Happen review
Marcelo Dos Santos has written an engrossing script full of razor-sharp humour and candid observations on contemporary living, particularly as a gay man. The story moves at a swift pace, but it simultaneously allows time to have us care for The Comedian and to reflect on our own similar stories and experiences, regardless of what our gender or sexuality may be.
Tuesday, 14 January 2025
Glory Down The Line review
Julia Gasparini and Henry Stephensen deliver admirable performances as Simone and Brayden. There are instances where the direction could have pushed the actors to go further in eliciting appropriate responses to the story. As the plot unfolded, Simone and Brayden's acceptance of what is happening without showing concern or worry came across as inauthentic. Gasparini and Stephensen share good chemistry and play off each other well, particularly in the opening moments of the narrative.