Glory Down The Line review | The Butterfly Club

At times, Tully Jones' Glory Down The Line plays like an M. Night Shyamalan script, where ordinary people get caught in extraordinary situations. Here, two strangers wait in a remote town for a bus to take them on a hike. Where's the tour group? Why are they the only ones there? Who keeps calling them on a seemingly broken payphone? Naturally there's additional surprises to be revealed along the way but that would be falling into spoiler territory.

Julia Gasparini and Henry Stephensen deliver admirable performances as Simone and Brayden. There are instances where the direction could have pushed the actors to go further in eliciting appropriate responses to the story. As the plot unfolded, Simone and Brayden's acceptance of what is happening without showing concern or worry came across as inauthentic. Gasparini and Stephensen share good chemistry and play off each other well, particularly in the opening moments of the narrative.

My Brilliant Career review | Melbourne Theatre Company

Written in 1901 by Miles Franklin, My Brilliant Career follows a young woman living in country Australia in the late 19th century who desires something other than marriage and domesticity. Fast forward 120 odd years and this has been reimagined into a wonderful musical with book by Sheridan Harbridge and Dean Bryant, music by Matthew Frank and lyrics by Bryant.

Actors and musicians perform as one, with the cast adopting both roles. Kala Gare possesses an effervescent defiance as Sybylla, the teenager who wants more than to live happily ever after with a husband. Her changing moods and conflicting aspirations and uncertainties are superbly presented by Gare. She delivers many show-stopping songs that pull you out of your seat and right into the moment where nothing else exists except seeing her belting out a tune.

House of the Heart review | Finucane & Smith | The Chinese Museum

It’s inside the Dragon Gallery of the Chinese Museum where the heads of three processional Chinese Dragons that have been used during city parades over the last century reside. Symbolic of strength and generosity, and as we celebrate the Year of the Dragon in the Chinese New Year, it is fitting that Finucane & Smith should also have their cabaret House of the Heart staged here.



The evening is full of heartwarming and heart-wrenching storytelling and musical performances from artistes including First Nations jazz blues legend Lois Olney. Accompanied by guitarist Dave Johnson, Olney delivers loving tributes to her deceased family members and recounts anecdotes with Finucane about their lifelong friendship beginning when they were just twelve. Home comes in many ways and can easily change, but as Finucane tells us at the beginning of the show, it's heart and love that keeps us connected.

A heart to heart with Moira Finucane and Sophie Koh

Finucane & Smith are back and painting the town red with a return season of House of the Heart, a cabaret exploring the themes of song, opera, storytelling and dance. With a line up of 13 extraordinary artists from varied cultural backgrounds, ages and life experiences, it's fair to say that co-director, performer and recently declared a Melbourne Fringe Living Legend, Moira Finucane is more than a little excited to be presenting this show in Melbourne again.

One of the many impressive elements of a Finucane & Smith show is the spread of talent they bring to the stage. While there's certainly challenges in getting so many performers together, when you've had a long and varied career as Finucane, having performed around the world and in countries such as Chile, China and Colombia, it certainly becomes easier. "We find our performers through travelling, putting on shows, directing, talking, touring, listening to lesser heard voices, taking risks ... so many risks!" she tells me. "People have told me throughout my art making career (even when I worked for free in nightclubs!) "Oh Moira, that will never work!" but I listen and I am curious, I look and I marvel, I am always marveling at people's diversity, and capacity to make beautiful art."

Moth review

In Declan Greene's Moth, two teens narrate a chain of events that lead to a tragic outcome for a pair of high school outcasts that leaves one unconscious and one missing without explanation. It's a fast-paced two-hander that highlights themes around mental health and identity through the friendship of these two people and the shared - and individual - experiences they go through growing up together.

Admittedly, I had some trepidation of whether a play written in 2010 about two teenagers would be relevant in 2023 but fortunately Moth still feels fresh and innovative. Greene depicts the horrors of high school and the long-term impact these instances can have, through authentic teenage voices and one can only imagine the power of this work back when it was performed.

Any Moment - Melbourne Cabaret Festival review

It’s always exciting to witness new Australian musical theatre being staged, and it’s even more of an experience seeing a production build towards its debut. Presented as part of the Melbourne Cabaret Festival, Bradley McCaw’s concept performance of Any Moment was an opportunity for the creative team and cast to try out some of the songs from the musical and have a play with the musical arrangements. 

Any Moment is set to take place over 24 hours beginning at midnight on New Year’s Eve as we follow the stories of several individuals from a single town. As this is a concept performance focusing on the music, we don’t really meet any of the characters or explore any narrative thread, but the songs chosen do give a good insight into the lives that they lead.

There’s plenty of Aussie humour in the songs, with a nod to The Castle in the opening number "Twenty More Till", and a later one where a character expresses how much he loves a woman in “Top Shelf”. “The Door” duet is a touching moment and can see this being a winning number once we get to know the characters. While it’s not confirmed which songs will be in the production, it will be sorely disappointing if this is not included. With musical direction by Shanon Whitelock, there’s a variety to the style and genre of songs McCaw has penned, including “Coming in From The Suburbs” which allows for the different types of people that reside in this town to be shown.

The Humble Tumbler and The Gin Queen gin masterclass

When it comes to alcohol, the only thing I drink is gin. Since I came across it at a London bar in 2010, it has become my drink of choice, which I generally drink with apple juice (yes, it sounds weird but give it a go and let me know what you think). Such is my love for gin that I currently have over three litres of it in my house just waiting to be consumed.

So when I came across The Humble Tumbler (Clare Burder) and the The Gin Queen's (Caroline Childerley) gin masterclass, I knew it was something I had to partake in. Throughout the course of the evening, Childerley and Burder take us on a journey through the early beginnings of gin and provide tastings of nine gins from across Australia and around the world, each with its unique distillation, botanicals and taste.

It is an intimate dinner party style setting for 14 people, all strangers except the two people I attended with. The table is adorned with the varieties of gins we will be drinking along with some mouth-watering olives and cheeses. I'm not a big cheese fiend but I immediately fell in love with the Meredith Feta and the L'Artisan Le Fermier. 

Flashblaks review | Ilbijerri Theatre Company | La Mama Theatre

With their recent residency at La Mama Theatre, Ilbijerri Theatre Company, Australia’s longest-running Aboriginal and Torres Strait Islander theatrical company, performed a staged reading of a new piece of work by Jacob Boehme and directed by Isaac Drandic.

Flashblaks looked at a variety of themes revolving around identity, whether it be cultural, sexual, individual or social. Boehme used three generations of women from one Indigenous family to tell this story and despite these generational gaps, the issues and struggles end in corresponding for each woman.