Rabbit & Watson review | Darebin Arts Speakeasy

Love has always inspired stories of devotion, sacrifice and impossible odds, but few take that journey quite as literally as Rabbit & Watson. Shane Woon's latest work reimagines the Chinese mythological figure Tu'er Shen, the Rabbit God of gay matchmaking, placing him in the unlikely world of Australian football. When Rabbit's centuries-old lover returns as Watson, a rising AFL player, he must navigate love, identity and the expectations placed upon him across the celestial and human realms. Blending Chinese mythology, Boys' Love, fantasy and AFL culture, Rabbit & Watson is a thoughtful exploration of what it means to search for belonging while carrying the weight of history, family and tradition.

Normally, I would bristle at the idea of a two-hour show without an interval, but Woon's concept and storytelling are so intriguing and refreshing that I never found myself growing restless or checking the time. Even so, the script would benefit from some judicious editing to tighten its structure. A subplot involving young footballers Cypress and Jaxson could be removed without diminishing the central narrative or its engagement with homophobia, sexuality, and relationships. With another character already questioning their sexuality, this storyline is repetitive rather than expanding the narrative, diluting the impact of the more compelling arcs.

37 review | Melbourne Theatre Company

When the Aboriginal Marngrook cousins join the (all-white) local football team, it means a new hope of finally nabbing the premiership cup that has eluded the club for years. But as they inch closer and closer to victory, tensions begin to simmer. Written by Nathan Maynard, 37 explores the world of Aussie Rules and "Aussie rules" of identity, community, and racism within a local footy club of Cutting Cove Currawongs.

Maynard's story might take place at a local level but by setting it amid Adam Goodes' challenging years as a player for the Sydney Swans, he presents a global perspective to this small-town event. The Number 37 guernsey wearer faced a bombardment of constant booing from AFL audiences, being called an ape by a 13-year-old Collingwood fan and accused of inciting violence for performing an Indigenous war dance at a match where he mimed throwing a boomerang (and not a spear as was reported), towards the Carlton cheer squad.

Scandal! A Reflection on Essendon’s Doping Saga: The Musical? - Melbourne International Comedy Festival preview

For a country that prides itself on sport, particularly football, the doping scandal that plagued the AFL in 2013 was a devastating blow to the nation. After being investigated by the Australian Sports Anti-Doping Authority and the World Anti-Doping Agency over the legality of its supplements program during the 2012 AFL season, the Essendon Football Club was fined $2 million, banned from the 2013 finals series, and suspended its senior coach and general manager. They're the perfect ingredients to create a musical comedy out of right? Well Kit Richards seems to think so with her new Melbourne International Comedy Festival show, Scandal! A Reflection on Essendon’s Doping Saga: The Musical? 

After being nominated for the Golden Gibbo and Green Room Awards in 2019 for Wool! The Musical, Richards is looking forward to tackling this scandal, and while it might be very different to the wool industry, the two are more closely linked than you'd think.

"I recently bought an Essendon guernsey that was made out of Merino wool and the tag on it said ‘Australian Rules Football and the wool industry are knitted together geographically, socially and financially’ so I guess it was fate!" she tells me. "Seriously though, the history of wool was a topic that had plenty of comedic potential but I always like to grow and develop as a writer so I thought it would be interesting to tackle something I don’t find funny. In that way, that was a natural progression but to outsiders, it’s probably a bit of a leap."