Set in 1905 in the fictional village of Anatevka, the story follows Tevye and his wife, Golde, as they raise five daughters. Faith and customs provide the villagers with a sense of identity and stability, despite the discrimination and persecution they face. But Tevye's ordered world begins to unravel when his three eldest daughters challenge arranged marriages by choosing their own partners. As he wrestles with their expectations, wider political upheaval threatens all their futures.
Troy Sussman and Alexis Fishman bring considerable personality to Tevye and Golde. Sussman is excellent, finding depth in a character caught between accepting his daughters' choices and staying true to the traditions that have shaped his life. He captures the difficulty of embracing change while holding onto his faith.
Fishman is a standout as Golde, delivering her lines with sharp wit and a wonderfully dry sense of humour. She is equally affecting in the emotional moments, notably during the song "Anatevka", where her facial expressions convey the sadness, fear and anger of leaving the only home she has ever known.
Freya Boltman gives eldest daugher Tzeitel a spirited portrayal, capturing her determination to choose her own path. Ellen Ebbs lends a beautiful voice and nuance to Hodel, particularly as her relationship with Perchik develops. She also shines in "Far from the Home I Love", conveying Hodel’s difficult decision to follow Perchik to Siberia. Caity Plummer is just as engaging as middle daughter Chava, whose choice of partner presents the greatest test for her father.
Julia Cheng's (鄭嘉欣) choreography enlivens the musical's celebrations and cultural traditions, using movement to support the storytelling and giving the ensemble sequences a sense of occasion. A lively gathering among the Jewish men at the local inn is interrupted by Russian soldiers, leading to an energetic dance highlighting the tension between the groups. The wedding is another highlight, with exuberant dancing showcasing the ensemble's coordination.
Ben Adler is brilliant as the Fiddler, demonstrating impressive skill on the instrument while embodying the community's cultural heritage and shared identity. His precarious position on the roof reflects the delicate balance between holding onto tradition and adapting to a changing world. The final image of the Fiddler offers a poignant reflection on honouring the past while remaining open to the future.
Jordan Fein's direction builds a strong connection between the residents of Anatevka, making the ending especially moving as each villager faces the loss of their home, relationships and routines. The songs are are delivered with warmth and feeling, with classics such as "If I Were a Rich Man" and "Sunrise, Sunset" among musical theatre's most enduring. Accompanied by a live band at the back of the stage, they flow naturally into the story and remain central to its emotional impact.
Fiddler on the Roof explores the importance of family, belonging and tradition while recognising that change is inevitable. This production balances humour and a rich musical score with the tragedy of a community uprooted from everything it has known. Written for a world in 1905, this much-loved musical remains just as pertinent in 2026.
SHOW DETAILS
Venue: Her Majesty's Theatre, 219 Exhibition St, Melbourne
Season: Until 27 Dec | Tues - Sun, various times
Duration: 160 mins (including 20 minute interval)
Tickets: $59 - $249
Bookings:Ticketek
Image credit: Daniel Boud
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