The Long Red Road review | fortyfivedownstairs

The Australian premiere of Brett C. Leonard’s The Long Red Road follows six individuals all facing their own demons and struggles. Set in the heart of America, the name of the play is a Native American term for the journey toward redemption and inner peace. In this instance, the focus rests on the relationship between brothers Bob and Sam, and the effects of a tragic accident.

The first act begins with numerous mini-scenes peering into the lives of the six characters, and as such, the story moves at an incredibly slow pace. The attempts to provide insight into the turmoil and anguish they are facing result in actually knowing very little about these people, so until the end of the first act, I cared very little about these people. To be perfectly honest, I could have done without this act altogether and would have preferred to get right into the heart of the story found in the second act.

Wet House review

A wet house is a hostel for alcoholic homeless men and women, where they can drink and sleep as much as they want with no expectations for them to be rehabilitated. They are more or less, the people that society has given up on. In Red Stitch's production of Paddy Campbell's Wet House, we get an insight into the lives of three residents and three workers of a wet house, each one struggling with their own redemption and reason for being.

Wet House is based on Campbell's first-hand experience of working in a wet house and you can see how effective a story can be when the writer well and truly knows what he is writing about. Not a single scene is wasted, no dialogue is filler, no movement is pointless. Everything that happens in Wet House has a purpose, and with six different stories being told, the pacing is controlled well and is never difficult to follow.