What Was That? review

It's not often a production gets to celebrate its 1000th show, but What Was That? did just that on Saturday 12 August. This immersive ghost tour through Werribee Park Mansion gives audience an overview of the home's history and the family that built it in the 1870s, the Chirnsides.



With permission granted by the production team to start the show five minutes late to watch the Matilda's win over France in the penalty shoot out in their World Cup match, the mood in the audience was in very high spirits and completely up for the thrills and delights our hosts had planned for us.



We are met at the entrance by the personable head maid Maggie (Alaine Beek) and the crabby butler Mr Duncan (Ross Daniels). As "we are all friends of the Chirnsides" we are led through the various rooms of this lush mansion.

Miss Peony review

We have all heard of the expression "be careful what you wish for", but in Miss Peony, the more appropriate expression would be "be careful what you promise on your Poh Poh's deathbed". When Lily agrees to enter - and win - a beauty pageant competition just as her grandmother passes away, she is forced to see it through or risk being haunted by her Poh Poh for the rest of her life. Written by Michelle Law, Miss Peony takes its audience into the world of beauty pageants with plenty of humour and heart.

The relationship between Lily and her Poh Poh (in the living and the spiritual world) constantly moves from affectionate to exasperating as Stephanie Jack and Gabrielle Chan touchingly display the underlying tension, grief and regrets they feel. Chan is full of personality as Adeline, Lily's Poh Poh. Her matter-of-fact attitude and dishing of barbs is a joy to watch and while her fan dance is brief, it is one of Miss Peony’s most powerful moments due to the emotion that Chan carries in it.

2:22 - A Ghost Story review

When Lauren and Ben visit their friends Sam and Jenny for dinner, the last thing they are expecting is to be witnesses to a supernatural event. Or are they? As the night approaches, the four friends delve deeper into the supernatural and the existence of something beyond death that will challenge all their beliefs. Written by Danny Robbins, 2:22: A Ghost Story takes a common domestic setting and turns it into a nightmare for our two couples. What happens when what should be the safest place in your world is the one causing you to be most afraid?

2:22: A Ghost Story comes with chills and thrills (and some screams) but only if your idea of having the hairs on your arm stand is brought on by plenty of jump scares, which are generally lazy and uninspiring. Ian Dickinson’s sound design largely consists of random screams and foxes fornicating that are repeated ad nauseam. The moments of tension are more successful when the concept of “less is more” is applied, such as when Ben recalls his past encounters with ghosts. The finale gives the show a spine-tingling send off, but it is directed rapidly and awkwardly by Matthew Dunster and diminishes the frightening revelation that has come to pass.

Mansion review

We’ve all heard things that go bump in the night, and the majority of the time it is simply our imagination. But what happens when those bumps turn into a never-ending nightmare? That’s what Mel Walker and her two children find themselves facing after they move home following the death of her husband and father to Levi and Rachel. Presented by Bass Fam Creative, this second installment in a trilogy of works focusing on love, Mansion is an immersive dance theatre horror experience that explores what it means to love, grieve and mourn.

This site specific work has sourced the perfect location for Mansion: Labassa Mansion in Caulfield. Built in the 1800s, the Victorian era mansion has had over 135 people call it home, and at one point it was divided up into flats and housed Hollywood’s first Australian silent film star. There are countless stories to be told, and not just from the living. The dead have plenty left to say and through dance and circus, the family encounter – and are terrorised by - its previous inhabitants. We are guided by the ground's Caretaker, who leads us from room to room in this winding and maze-like property as everything starts to unravel.

The Woman In Black preview

I have been a huge fan of Susan Hills' novella The Woman In Black since I saw its adaptation for the West End for the first time in 2008. The production is the second longest running in London, currently in its 27th. This atmospheric ghost story is cleverly told and the build up of the horror and the suspense is palpable from beginning to end, which terrorises the audience.

Earlier this year, independent theatre company, RedFox 3 staged this production in Healesville and Warburton, and next month will be giving Melbourne the opportunity to experience the horrors of  The Woman In Black for themselves, during a limited season at the Alex Theatre in St Kilda.

The Woman In Black review

I will admit there was some trepidation as I sat down to see Redfox 3 Theatre Company's production of Susan Hill's much loved ghost story The Woman In Black. It was not due to the anticipated horror of the novella-turned-play, but the hopes that the newly established company would be able to tell the tale just as masterfully as it has been told in the West End for over three decades.

I remember seeing Stephen Mallatratt's adaptation of the play for the first time in 2008, and feeling something I have never felt in theatre before; terror and fear. A genuine emotion of unease rippled throughout the audience and the walk home that evening was not a joyous experience. This experience repeated itself upon my second, third and fourth viewing of the play, and it's fair to say that The Woman In Black is my favourite theatrical performance of all-time. 

Ghost Machine review

There's a ghost that is said to haunt The Butterfly Club. Upstairs, in its theatre, it lingers on stage, flashing lights on and off and - oh hang on a minute, it's just Laura Davis covered in a white bed sheet in her 2015 Melbourne International Comedy Festival award-winning show, Ghost Machine.

Davis travels back to her first existential crisis, at the age of 11, and from there she revisits the moments in her life where things haven't always been that great. It is all done however in a masterful way where despite sharing these personal stories and experiences, she gives the audience permission to laugh at/with her because we can all relate to what she is saying. We have all experienced the despair, the rage and the humiliation of our circumstances in some way, shape or form.