Blackpill: Redux review | Theatre Works

Online hate communities aimed at young men are growing faster and more insidious than many of us realise, quietly luring them at their most vulnerable. Blackpill: Redux exposes how easily curiosity and insecurity can be manipulated, taking small questions about confidence, dating, or self-worth and spinning them into a dark, isolating digital world where belonging is weaponised and anger is cultivated. 

There are several standout scenes, including our protagonist Eli scrolling through Instagram reels before finding his gateway to the Blackpill community. A later striking sequence has the ensemble appear in Eli’s dreams - or perhaps nightmares - each wearing a mask of problematic pop culture men, such as Ross from Friends, Mark from Love Actually, and Professor Snape from Harry Potter. It’s incredibly creepy and heightens the unsettling mood. The cast is dynamic and versatile, wholly inhabiting both intimate and group moments, and brings a tense energy whenever they appear.

A Suffocating Choking Feeling review

A Suffocating Choking Feeling is a hybrid live and digital performance presented by the innovative duo of Simone French (performer and creator) and Tom Halls (director and technical) aka TomYumSim, that looks at how we use social media and how quickly the lines can blur between being authentic and being performative. French plays Simone Hamilton, a wannabe social media influencer who in her desire to have all the likes, follows and shares, gives herself a terminal illness that spirals out of control.

We see Simone livestream her days across various locations including her studio, a hotel room, and of course, at the hospital, but French lets us into the behind the scenes moments as Simone prepares her ring light, camera stand and applies finishing touches to her outfits before going live, leading us to doubt the legitimacy of what is being put out and who Simon actually is. This is a show where the use of our phones is not a gimmick, but integral to its success and it is used to great effect as it presents the rabbit hole that influencer and influencee can fall into.

Cull review - Melbourne International Comedy Festival

There's no denying society is ruled by social media, a place where people can share their every thought through video, photos or in 140 characters. From the mundane to the downright ridiculous, everyone is getting in on it, hell, even the Leader of the Free World is using twitter to troll the FBI. Honor Wolff and Patrick Durnan Silva are sick and tired of social media and in Cull, they decide to purge their Facebook friends one by one.

The two methodically work through a long list of annoying social media users in weird and wacky sketches. At the same time however, these sketches manage to humanise the people they are portraying and show the anxieties and longing they have to be connected with other people. This includes the Instagrammer who shares millions of photos of her cat on a daily basis, the Facebook couple posting love-affirming statuses and the zany You Tubers creating videos that are purely attention seeking but who are like, totally doing it for their adoring fans you guys. No one is safe in this cut-throat exploration into the black hole that is social media and its cult members.

CULL - Melbourne International Comedy Festival preview

We've all had that moment going through our Facebook feed and see the 17th meme from someone in two hours, or another baby update or another instance of keyboard activism and wonder why exactly we are friends with these people. Returning to the Melbourne International Comedy Festival, Honor Wolff and Patrick Durnan Silva's CULL delves into the deep dark recesses of social media as they bring to life all the annoying people we so desperately wish would leave the platform, or at at the very least, unfriend them.

The show is based on a conversation that Silva and Wolff had about the 'personalities' that appear on Facebook and with the constantly changing ways of using and interacting with social media, there have been some changes made to the show since its initial prodcution. "Whenever we see a new social media trend or meme that’s really funny or bizarre, we seek to include it in our show," Wolff tells me.

F. review

It's probably rarer now for parents to need to sit down and speak to their children about the birds and the bees. Books such as "Where Did I Come From?" now seem obsolete, and by the time teenagers are learning anything to do with sex education in high school, they already seem to know it all. Presented by Riot Stage as part of the Poppy Seed Festival, F. attempts to explore how a group of teenagers come to terms with sex and sexuality as most people of the last decade have - through technology.

Unfortunately the execution is not always successful, as the production's central concern with how technology is used with sex is at times completely ignored, or does not explore issues raised to any great depths. Thus, one of the main story lines - where two friends enter into a sexual relationship - is surprisingly developed without the use of any social media or technology whatsoever apart from one scene where the male character refers to the three voicemails he left her. In contrast, a female character's revelation that an ex-partner has put a naked photo of her on the internet is initially met with mediocre disgust by her friends but is immediately dropped and never mentioned again, nor do we see any impact this has on the character.

Intoxication - Midsumma Festival review

I still remember the excitement in my house when we signed up for dial-up Internet. It brought a new world into my living room with just a tap of the keyboard and a click of the mouse. 17 years later, the technological advances we have made have brought this virtual world closer to us, but has it pushed us further away from the real world? Presented as part of the 2016 Midsumma Festival, Christopher Bryant’s Intoxication analyses and raises questions about how our reliance on social media, dating apps and smart phones are hindering us from building honest and meaningful relationships with actual people.

The three performers - Ryan Forbes, Amy Hack and Bryant – each sit on an individual cube and, as if they are in a confessional, share their anxieties with us. Even though there is barely, if any, interaction between the three during these moments, the thoughts and emotions shared are very similar, building on Bryant's idea that despite all having these insecurities and feelings of loneliness, we seem to push ourselves further away from reality and into the digital world, where we are free to project the life we wish we had and want the world (wide web) to see.

Intoxication - Midsumma Festival preview

Despite living in a society where we are more connected with each other around the world more than ever before, it is ironic that many of us are also feeling a disconnect with those physically around us. While we spend our time taking the perfect selfie, instagramming that delicious dinner and finding entertainment on dating apps, we seem to be getting lonelier and lonelier.

Presented as part of the 2016 Midsumma Festival, Intoxication shows just how deeply affecting one person's loneliness can be to everyone around them. "We live in a world of fast-food connection: quick, junky, and not particularly nourishing. It’s a bizarre thing, to be so connected, but still so unable to connect, when it should be easier to connect with the people around you, but in actual fact, it’s harder," writer of Intoxication, Christopher Bryant explains. "The play is about the ways we pursue happiness, myself included. If I’m lonely, horny, bored or drunk I can just download an app and meet someone in half an hour flat. It's about social anxiety and the fear of being alone that rules modern society, but in particular modern gay society." 

"It’s a difficult but necessary discussion, especially since in the homosexual community, we’re not afforded the social freedom, perhaps of heterosexuals. By that I mean, aside from the usual set of open desires and shared interests, everyone you meet can’t necessarily be a viable romantic option by virtue of presumed sexual preference. In this regards, the play is about learning to be alone, and that being alone isn’t necessarily a bad thing, in fact, it can be better than a lot of negative relationships."

Someone Like Thomas Banks review

Meet Thomas Banks, he is 24, gay and single - but hopefully not for too long. He also lives with cerebral palsy. Beginning as a short piece in 2010 that has since been developed to this full length and predominantly one-man show, Someone Like Thomas Banks focuses on Bank’s own experiences with online dating, hook ups and not only discovering his own voice and identity but holding on to it. 

Banks uses a variety of cleverly executed multimedia tools to share his story, such as projected text, a Lightwriter, animation, social media and pre-filmed segments. The projections of closing doors throughout the show speak volumes as to the rejection that Banks faces in his want for love. At another point, an audience member reads out Banks’ experience of being bullied as a student on the school bus. As this is happening (and in relation to the story), Banks augments the narrative by walking around the stage dropping coins on the floor clearly showing his resilience and determined nature.