Multiple Bad Things review

In Back to Back's new work, Multiple Bad Things, three employees in a warehouse spend their day putting together an ambiguous structure. As they complete this task, they take part in conversations and present behaviours focusing on inclusion, equity and diversity.

As you walk into the theatre, you are instantly captivated by Anna Cordingley's set design. Erected like a triptych, a computer workstation is positioned on one side, with numerous animal figurines decorating the entire desk. On the other side rests an inflatable flamingo float. In between the two are a variety of gold-coloured pipes and tubes in a half-finished construction that dominates the stage. Cordingley's aesthetic skill extends to the costuming of the cast, with Simon Laherty, Sarah Mainwaring and Scott Price appearing in distinctive orange uniforms and Bron Batten dressed in pink, looking like she's just stepped out of a Barbie movie.

I'm Ready To Talk Now review (Melbourne Fringe Festival)

Oliver Ayres has packed a lot into twenty-minutes with I’m Ready To Talk Now, but this well-considered immersive show for one person at a time patiently and intelligently explores his journey of being diagnosed, and living, with a chronic medical condition.

The performance starts with us sitting on a chair and facing a white screen. We put on a pair of headphones, and we begin to hear Ayres' voice as he explains how he relates to his illness and the empathy (or lack of he extends to others), frustration, anger and loneliness he encounters. Ayres’ monologue is obviously rehearsed but his natural pauses and uses of 'like' and 'umm' gives the impression of this recording being off-the-cuff and authentic. It genuinely feels like he is unburdening himself with these thoughts and opening himself up to us.

small metal objects review

It's been 13 years since Back to Back Theatre performed their acclaimed show small metal objects in Melbourne, one that straddles the line between voyeurism, suspense and contemplation. Taking place in the public area at Federation Square, audience members take their seat on a row of bleachers and are provided with a pair of headphones where we are privy to the conversations happening between four people.

We begin by hearing two friends, Steve and Gary, talking about things that friends talk about, such as eating roasts and updates on relationships. We scan the crowd to locate where these people are, looking for anyone acting strangely, as if they are being watched. There are so many false alarms in spotting the actors. Eventually we see them crossing the road and walking onto Fed Square.

The Shadow Whose Prey the Hunter Becomes review

Originally staged in 2019, Back to Back Theatre's The Shadow Whose Prey the Hunter Becomes returned for a two night season in which we witness a group of people with disabilities setting up for a public meeting in a town hall. While we are not quite sure what the meeting is about, it eventually shines a light on all of us with regards to the society we want to be part of.

With over 15 years of experience with Back to Back and having co-authored the work, Sarah Mainwaring and Scott Price are joined on stage by fellow performer Chris Hansen. The three share a natural and organic energy flowing between them. Their engagement with the audience constantly changes from humorous and light-hearted to authoritative and knowing, making it difficult to prepare ourselves for what's to come and generating an air of uncertainty for everyone present.

So Brave review (Melbourne International Comedy Festival)

As Madeleine Stewart says, it's not easy being a one-handed person in a two-handed world. Performed as part of the Melbourne International Comedy Festival, So Brave is a witty look at life through the lens of a disabled woman searching for love. No stone is left unturned as Stewart gets political, philosophical and sexual in a show that has plenty of laughs but is also a critical commentary on our society.

Stewart has a wonderful presence on stage and her storytelling immediately warms the audience. While she begins with one liners and zingers about her disability, including a resemblance she has to a certain American actor, she sets the scene well about being a woman trying to find love (and lust) in a society that is determined to keep reminding her she is different.

Top 10 Shows of 2019

Every year I tell myself no more saying yes to going to all the shows in Melbourne, and this year I managed to cut down from 221 in 2018 to only 199 in 2019, and yes, those numbers do annoy me. I found this year particularly exciting as I saw some amazing work from new and emerging writers and performers who I can never get enough of seeing on stage. I witnessed shows in venues that hold hundreds of people and others that were intimate one-on-one experiences.
As an audience member, I got to plan a friend's wedding in a cafe, discover hidden secrets in Werribee, explore loneliness and isolation in a caravan, watch a five hour break-up take place on stage and suckle on some of mummy's breast milk. 
Like most people, I like to keep track of everything I see so I maintained a list of them all. Below I list the top ten shows I saw in 2019. If I reviewed it, then a link to the original review is provided.

This is also a great reminder that sometimes the most memorable and exciting experiences are not always the big budget, flashy ones but the ones that are only on for four nights at a small theatre venue. Especially in this current arts climate, remember to support your independent theatre makers and venues - some can cost you as little as $20 and can be one of the most original, inspiring and though provoking performances you might see.

Here we go:

Have You Tried Yoga? - Melbourne Fringe Festival review

But you don't look sick. You just need to keep a positive attitude. Have you tried not eating gluten? These are just a few of the 'helpful' suggestions from friends that countless people who have invisible (and visible) illnesses are recipients of. Have You Tried Yoga? is a performance piece created from verbatim interviews of people with disabilities, but also from performer and writer Rachel Edmonds' own experiences.

With a minimal set design and simple direction, Edmonds relies on the power of their words to tell this story - and it works. The isolation that people with disabilities often deal with is plainly shown in the recollection of an able-bodied friend who could not cope with Edmonds' accessibility needs and was eventually cut out of her life. 

Edmonds is very clear and direct with what they choose to cover in this show. Despite the frustration and anger that this work is based on, they do not rush nor do they lecture or force an opinion onto the audience. Instead, they speak to us, inform us of what it is like to be in their position when you are carted from doctor to doctor who can't figure out what is wrong with you. It's an opportunity for the audience to check themselves for subconscious discrimination and when their actions might have been patronising, insensitive or plain hurtful towards people with disabilities.

I Am Not A Unicorn! - Melbourne International Comedy Festival review

I Am Not A Unicorn! is Emma J Hawkins' one-woman show about living life at 103cm short. Hawkins shares her experiences of being a short statured person through some entertaining and thoughtful dance, comedy and storytelling. 

Even while wearing a unicorn mask, from the second Hawkins appears on stage, she exudes an energy that you can't help but instantly warm to. She performs a number of sketches and scenes that provide insight into her life while highlighting the difficulty she has in fitting in to a world that seems to cater wholly for "normal" people. While she may not be a fairy tale creature, the treatment and consideration she often receives, feels like she should be playing cards with Snow White and Rumplestiltskin and getting drunk with Goldilocks.

I Am Not A Unicorn! - Melbourne International Comedy Festival preview

In Emma J Hawkins' whimsical comedy show, I Am Not A Unicorn! you can expect to come across trolls destroying the world, be educated on the delicate art of eating bananas and how to find love in the local supermarket. While some of this may seem strange or peculiar, the heart of the show rests with Hawkins opening up and illustrating what life at 103cm short is like.

"The name of the show came from the fact that often people do look at me like I'm a unicorn walking down the street. Being a short statured person, I do stand out from the 'normal'," Hawkins explains. "I still get stared at and overhear comments in the street as I go about my daily life and in a way I can understand the gaze. I am pretty different and most people will not have seen a short statured person in their life. I think it's more about how you take those things on board and as I got older I've been able to be comfortable in my own skin. However, being the butt of an unknown joke is not very fun. Peter Dinklage talks about us (short statured people) being the last bastions of acceptable prejudice." 

Someone Like Thomas Banks review

Meet Thomas Banks, he is 24, gay and single - but hopefully not for too long. He also lives with cerebral palsy. Beginning as a short piece in 2010 that has since been developed to this full length and predominantly one-man show, Someone Like Thomas Banks focuses on Bank’s own experiences with online dating, hook ups and not only discovering his own voice and identity but holding on to it. 

Banks uses a variety of cleverly executed multimedia tools to share his story, such as projected text, a Lightwriter, animation, social media and pre-filmed segments. The projections of closing doors throughout the show speak volumes as to the rejection that Banks faces in his want for love. At another point, an audience member reads out Banks’ experience of being bullied as a student on the school bus. As this is happening (and in relation to the story), Banks augments the narrative by walking around the stage dropping coins on the floor clearly showing his resilience and determined nature.