Sixth Sense review | Tom Weil | Melbourne Magic Festival | Arrow on Swanston

There's something delightfully unsettling about watching a stranger seem to read your mind. Sixth Sense, presented as part of the Melbourne Magic Festival, poses that very question in its title. Is it genuine intuition, or simply a masterful reading of human behaviour? Award-winning magician and mentalist Tom Weil doesn't rush to answer this. Instead, he spends the evening blurring the line between psychological illusion and something that feels, uncannily, like truth.

Part of what makes Weil's work so compelling is his relationship with predictability itself. Good mentalism often relies on audiences believing an outcome was left to chance, when in fact it was steered there all along, and Weil plays this tension deliberately, letting the room wonder how much of what unfolds was ever really in doubt.

Piper's Playhouse review | Crown Melbourne

Going up the escalators to the entrance of Piper’s Playhouse is the beginning of an exhilarating and entertaining night in a Parisian cabaret club. It feels like stepping into a velvet-lined time capsule where glamour, mischief, and a hint of rebellion swirl together in the dim light, kicking-off with small morsels to awaken the senses and stir anticipation ahead of the evening’s grand reveal.

Revellers roam the makeshift halls, pausing for fleeting peep shows in hidden booths, whimsical bubble acts, and the promise of momentary absolution through confession. Champagne is already flowing via surprising means and a roving magician enchants with feats of close-up illusion.

Locus review (Melbourne Fringe Festival)

There’s something enticing about a show that will only reveal its location once you are at the designated meeting point. Locus is one of those shows, where a group of 30 people gather next to a car repair shop to begin their journey into the unknown.

We are greeted by one of our three hosts - Lawrence Leung, Vyom Sharma and Dom Chambers – and asked to select a numbered lanyard from 1 – 30 and a word from the 70 in a bowl that speaks to us and hide it inside our lanyard. During this introduction, one door closes and another one opens to a whole new world. Illusion meets reality and the scene for the rest of evening is set.

From here on, we are all known by our lanyards, I am number 9. Our hosts are L1, L2 and L3. This anonymity allows us to shed the shackles of our lives and enter the space with an open mind. The magic and illusions that the three perform are utterly baffling and mind-blowing. There are obviously logical reasons as to how these are executed – and I desperately want to know – but in the moment, you can’t help but believe. At one point we are invited to grab our phones and record the magic while our eyes are closed. Watching back the footage leaves me gobsmacked.

Assigned Magician at Birth review (Melbourne Fringe Festival)

We all have a part of ourselves we don’t present to the outside world, the secret self that we don't want anyone to know about. Tricksy Collins has been doing that for many years. She has been an award-winning comedian but … also a professional magician. Quelle Horreur!!! But she’s ready now to publicly embrace the title of magician and in Assigned Magician at Birth, she talks about the magic community and the challenges of trying to fit in when something is not quite right.

Collins is completely in her element and while there are some nerves apparent in the opening moments, her rapport with the audience quickly has them onside and she begins to enjoy herself with her acts and her audience even more so.

Lie To Me review | Melbourne International Comedy Festival

Josh Staley is here to tell us that magic is not real. It's all about illusions, sleight of hand and powers of persuasion. But when you watch his magic show Lie To Me, and witness his acts, you can't help but wonder if he's actually lying to us, and magic is, actually, all around.

The intimate setting of Staley's show means there are no shining lights, dramatic music or pauses to distract us from what's happening. The audience is three deep and very close to the front, and yet, Staley pulls off some utterly baffling acts where it is impossible to see how he accomplished it and how no one in the audience was able to figure it out.

SWAMP review

Created by Andy Freer and Nick Wilson, and presented by Snuff Puppets, SWAMP sends its audience into a fascinating journey into the impact humans have had on Earth's geology and ecosystems through the adventures of a number of Australian animals.

Large scale intricately designed animal puppets - including koalas, mosquitos, cane toads and lyrebirds - are bought to life by puppeteers in "short stories" of their interactions with each other and their changing environment. Varying in their humour and dramatics, each story effectively highlights their plight, and how humans have explicitly and implicitly made their homes a risk to their safety and lives.

World of Wonders review

Lachlan Wilde has been practising magic for roughly a decade and even won the Australian Junior Champion of Magic award at the 2015 Melbourne Magic Festival. Three years ago, as a bright eyed 21 year old, Wilde bought a ticket to see the world and create new experiences for himself. Fast forward to 2022, and Wilde is back at the Magic Festival with his show World of Wonders, in which he shares those adventures with us through some mesmerising magic.

There is great imagination and creativity with Wilde linking his "art of deception" with anecdotes and memories from his travels to Abu Dhabi, London and Paris, including a particularly interesting (although somewhat questionable) spotlight on Jack the Ripper. His storytelling is specific enough to form bonds with us but vague enough where we are able to insert our own experiences and further strengthen the relationship between magician and audience.

The Disappearing Act review (Melbourne International Comedy Festival)

The audience waits excitedly for the magician to appear. You can feel the anticipation in the room as we face the stage, where a large chest sits. Where could our magician be? And then magically she is here! But this is not the magician, but the magician's assistant, and so begins Maria Angelico's Melbourne International Comedy Festival show The Disappearing Act. Neither Angelico nor her tech assistant knows where the magician is, and frantic calls are made to his various girlfriends to locate him. But as the saying goes, the show must go on and Angelico takes the to the stage!

Naturally there are laughs to be had as this is being presented as part of the Comedy Festival, but the show's inspiration comes from the true story of Angelico's father, a well-known magician, who was absent for much of her life and instilled a household with domestic violence and abuse. You notice these anxieties and vulnerabilities manifesting throughout her performance; that there is something else simmering in her attempt to put on this magic show.

Super Amazing Giant Girl review | Melbourne International Comedy Festival | Melbourne Town Hall

While there are plenty of shows for adults during the Melbourne International Comedy Festival, it's worth noting that there are also many geared towards the younger end of the population. In Super Amazing Giant Girl, circus performers Anna Lumb and Jez Davies take their audience on a fantastical journey of a super amazing giant girl who learns to not only accept her difference but embrace it.

Lumb is full of energy on stage and it often feels like she might actually be a child trapped inside the body of an adult. In her portrayal of super amazing giant girl, Lumb quickly establishes a character that we can all relate to and keen to support. Her hula hooping and circus tricks are as nail biting to watch than any circus production with some highly entertaining clowning and exaggerated physical comedy.

PUFFS review | Alex Theatre

I am not a Harry Potter fan, and I say that having never read the books or watched the movies, but the story of a boy wizard and magic spells have never interested me. That is, until I saw PUFFS or Seven Increasingly Eventful Years at a Certain School of Magic and Magic. Set during Harry and friends' time at said school of magic, PUFFS focuses on another student who was around at the time of Harry's reign, Wayne, and his friends who had been assigned house Puff, the house that no one really wants to be assigned.

Written by Matt Cox, PUFFS is littered of Harry Potter references and in-jokes, and while some of them went over my head, if you are at all familiar with the tropes of such stories, then you will still find yourself laughing along. Cox isn't just making cardboard cutouts of fantasy stories in his play, but creating fully fleshed out characters with motivations and desires that you find yourself supporting wholeheartedly. This is done so carefully and considered, that you don't realise how emotionally attached you are to the characters until the final genuinely suspenseful scenes.

The Unbelievables review

Magic, circus, live music and dance come together this summer at Arts Centre Melbourne with The Unbelievables. The variety show presents world-class performers that will often leave audiences captivated by what they are seeing in this two-hour live extravaganza.

Roberto Carlos Aguilar's juggling is an absolute highlight of the show and to have had him on stage for even a few more minutes would have been amazing. At times juggling with his mouth - yes, his mouth - this was one of the most thrilling acts of the evening, with Aguilar reaching speeds and variations that you rarely - if ever - get to see.

Aleksandra Kiedrowicz is mesmerising with her aerial performance and the accompanying musical rendition of Des'ree's "Kissing You" by Emi Secrest is a breathtaking moment, as is any musical number with Secrest. Sos and Victoria Petrosyan's Guinness World Record breaking act of 16-costume change illusions in two minutes will leave you gobsmacked, trying to figure out exactly how it is done.

The Carnival of Lost Souls review

There can be no greater feeling than that of loving someone and being loved back. However, sometimes that gift can also be a curse. In the The Carnival of Lost Souls, ill-fated love and the afterlife are explored through the blending of circus and musical theatre. Performed in the Melba Spiegeltent, the show tell the story of a gypsy fortune teller and a giddy clown who despite being meant to be together, are destined to be apart.

A late 1800s carnival ambience is immediately established through Jason Bovaird's effective lighting design and Clockwork Butterfly's highly detailed Victorian Gothic and Steampunk costumes. As such, the acts themselves retain a simplicity in style and are more about showcasing the skill of the performers rather than distracting you with the razzle-dazzle of a large-scale circus.

Kooza review | Cirque Du Soleil | Flemington Race Course

Trying to put into words what watching Cirque Du Soleil's Kooza (inspired by the Sanskrit words "koza", meaning "box" or "treasure") is like, is not the easiest thing when you spend the majority of the show absolutely speechless and stunned with the skills and performances of its hugely talented cast. Returning to Melbourne with this brand new show, Cirque Du Soleil dazzles once again as Kooza tells the story of The Innocent as he is transported into a world of surprises in a kingdom inhabited by strange and peculiar people.

The night is a non-stop run of entertainment and wonderment, which includes Mongolian contortionists Sunderiya Jargalsaikhan and Ninjin Altankhuyag twisting their bodies in ways and in speeds you've never seen before that would put The Exorcist to shame. Other performances include an intense double high wire act, a romantic unicycle duo and a chair balancing act that reaches some amazing heights.

However, the award for the most heart-stopping moment I have had in watching a live show would have to go to Jimmy Ibarra and Ronald Solisand with their 700kg Wheel of Death routine. Powered solely by the two Colombians, the huge wheel is rotated and counter-rotated at incredible speeds with leaps, jumps and skips that had everyone on the edge of the seats. A slight stumble from one of the performers sent fear rippling through the audience, reminding us that we are seeing high risk acts where precision timing is key with no room for even the slightest of errors.

The Ultimate Vegas Show review

The Ultimate Vegas Show is a night of magic, illusion, circus, songs, dancing and music. It's got all the ingredients for a brilliant and captivating show, yet sadly this experience left me feeling underwhelmed and wanting to head back to 'Melbourne'.

Host/MC, David Cotter did pleasantly well with his Dean Martin impersonation but that's all there was to it. Cotter's Martin did not possess enough dynamic stage presence or charisma to keep the audience strongly entertained and generate excitement about the upcoming acts, although perhaps in a more intimate setting as opposed to the expansive space of The Palms, he might have had more of an effect.

Snuff Skool - Big West Festival preview

It's almost a year ago that I first saw a Snuff Puppets performance. It was at Testing Grounds where the world's largest human operated puppet gave birth live. It was a captivating and intriguing experience and have since looked forward to seeing more of their magic and fun. Fortunately, that moment is not too far off as during the Big West Festival, the Snuff Puppets will open up their Snuff Skool, with participants having the opportunity to learn the snuff way of life.

It's important to understand though that a snuff puppet is not just a puppet. "Snuff Puppets arrive like a circus, parading through town ambushing audiences and enticing them into the world of theatre.  Our art explores, provokes and inspires progressive cultural change. We are unashamedly hand-made and experimental in a world obsessed with perfection and mass-consumption," I am told by the Snuffies.