Exposing the male form through echoes and whispers (Midsumma Festival)

It was back in high school when Evan Cooper picked up his first camera. His English and Journalism teacher decided to set up an extracurricular group for students that might like to learn photography. 

"In those days it was completely analogue so we learnt not only the basics of taking photos but also how to develop the film and print the images," Cooper recalls. "As someone that can be somewhat shy and content in my company, it became something I could do by myself while creating opportunities of being involved in certain activities like being the photographer at school events. 

Fast forward to 2024 and Cooper's solo exhibition will be held as part of Midsumma Festival.

Echoes and Whispers will be a multiple exposure photographic exploration of the male form. "I started experimenting with different photographic processes as a way of playing with the medium by pushing or pulling the film, blurring, and the effects of different shutter speeds. With multiple exposure I found results that interested me, and I wanted to see where I could take it," he explains.



"All of my multiple exposure work is captured in-camera and since I only see the one image when I take the photo I actually have to use my memory to plan how the image is possibly going to look when all three are taken. There is an element of serendipity with the final image, where some are better or worse than expected," he says. "Even though this work is shot digitally, I limit the editing of the images to what I would do in the dark room if I was developing film. So the things I edit are cropping, exposure, contrast etc. By limiting myself in this way I have to be more aware and present during the taking of the images, as I simply can't "fix it in post".

The Johnston Collection presents "An Interior Life" exhibition

William Robert Johnston was a Melbourne based antique dealer and a collector of beautiful things from the age of eight, when his grandmother gave him a little teacup. As his collection grew, Johnston wanted to share these unusual and visually arresting items with the wider community. Upon his death in 1986, the not-for-profit museum, The Johnston Collection was established which comprises of 1,400 objects of mostly 17^th century English furniture, paintings, ceramics and objet d’art.

Part of the charm of the Johnston Collection stems from its revolving door of guest curators over the years which has included The Australian Ballet's Artistic Director David McAllister, milliner Richard Nylon, interior design studio Hecker Guthrie, and Barking Spider Visual Theatre company. Thse curators are offered the freedom to express their personal connection and response to what they display and how it is set up, giving people the chance to view these objects from different perspectives and ensures a great rotation of the collection.

#Dragformation - Midsumma preview

Aaron Walker's latest exhibition, presented as part of Midsumma, looks into the world of drag and what it represents. #Dragformation aims to capture and document what 'drag' is, what it means, and who the people who engage with it are through before and after portrait photography of the performer.

Walker's conceptualisation for this project came through photographing the performers of a drag show backstage. "As I was shooting, what really struck me more than the show was the transformation process itself. After the show I knew I had to see if I could capture this on film in a way that needed to be a natural everyday look but also fabulous and spectacular. That’s when I chose to use a diptych to convey the effect of the drag artist’s look and persona from the street to the stage," Walker explains.

Convergent Pathologies | Midsumma Fetsival interview

One of the more intriguing exhibitions being presented at Midsumma Festival is Premier Event, Convergent Pathologies. Curated by myriad collective's darcy t gunk, the work on display by trans and gender diverse (TGD) artists living with mental illness, is a representation of their experiences of making choices to resist or comply with being pathologised.

As co-founder of myriad collective - a group that seeks to create performance, exhibition and professional development opportunities for TGD artists in Melbourne - finding the talent for this exhibition was not an arduous one for darcy. "Almost all of the artists in this exhibition have worked with myriad collective before, which meant that they understood how we do things, and our ethics and values as a collective. We did an open call for submissions and the response we got was that they were really excited to be part of this exhibition. myriad collective is all about bringing together a broad diversity of trans and gender diverse experience, so I wanted to fit as many artists into the exhibition as possible, whilst still allowing them to present up to 3 works each," darcy says.

House of Dreams review

William Robert Johnston was a Melbourne based antique dealer and a collector of beautiful things, and he wanted to share these unusual and visually arresting items with the public. Upon his death in 1986, the not-for-profit museum, The Johnston Collection was established.

The Collection has had a rotation of guest curators including The Australian Ballet's Artistic Director David McAllister, milliner Richard Nylon and design studio Hecker Guthrie, who were given the opportunity to explore, regard and share the curiosities within the collection.

With its current exhibition, House of Dreams, guest curators Barking Spider Visual Theatre - a Melbourne-based multi-art form company – have spent the last 18 months designing the nine spaces to create a highly evocative and imaginative environment to be experienced. Led by Artistic Director Penelope Bartlau, the theatre company is known for its exemplary productions and varied methods of creating and sharing stories with audiences.

Identity art exhibition - Midsumma Festival preview

Cultural theorist Stuart Hall once asked, "how much do we retain, and how much do we give up of our cultural identity in order to be ourselves?" In Susan Maco Forrester's latest art exhibition, Identity - and presented as part of the Midsumma Festival - she explores these ideas and looks at how we go about forming our identity and the importance of knowing who we are and where we came from.

While someone's personal identity can often be difficult to define in its most simplest terms, in Forrester's case it is understandable. Forrester is a GLBTIQ woman of Somali/Scottish heritage with her family coming to Australia as '20 pound poms' in 1974. Furthermore, Forrester's mother was also the first Somali woman to settle in Australia. "I have been reflecting whilst installing my show, about how much of my identity has developed from myself and how much has been put on me, so to speak," she explains. "Growing up I had often felt like I lived on the fringe, not really wholly belonging to Western or African cultures. What I have found interesting, is that in my experience, identity is not something that Anglo Australians think about in describing themselves."

"Identity is a concept that is thought of for others, so for someone like me, of mixed Celtic and African heritage, who lives in Western society, often it is only my African heritage that  is seen as my identity. However, already being used to being a fringe dweller really helped me when i 'came out', so I guess my idea of my identity has been formed by and strengthened by living on the edge of, and having one foot in a few camps." 

Can you Escape…?

I've recently added a new addiction to my life and it is Escape Rooms. It's a fairly new idea to the Melbourne scene, where you have 45 minutes to find clues and solve puzzles to help you escape from a "themed" locked room. 

Escape Room has been open for roughly two months and comes with six themed rooms - Slaughterhouse, Vampire Chronicles, The Gallery, Jungle Safari, Prison Break and The Mummy Returns. There is a gradual turnover with new rooms every six months or so, and one upcoming room is an "Up" themed room!