Exposing the male form through echoes and whispers (Midsumma Festival)

It was back in high school when Evan Cooper picked up his first camera. His English and Journalism teacher decided to set up an extracurricular group for students that might like to learn photography. 

"In those days it was completely analogue so we learnt not only the basics of taking photos but also how to develop the film and print the images," Cooper recalls. "As someone that can be somewhat shy and content in my company, it became something I could do by myself while creating opportunities of being involved in certain activities like being the photographer at school events. 

Fast forward to 2024 and Cooper's solo exhibition will be held as part of Midsumma Festival.

Echoes and Whispers will be a multiple exposure photographic exploration of the male form. "I started experimenting with different photographic processes as a way of playing with the medium by pushing or pulling the film, blurring, and the effects of different shutter speeds. With multiple exposure I found results that interested me, and I wanted to see where I could take it," he explains.



"All of my multiple exposure work is captured in-camera and since I only see the one image when I take the photo I actually have to use my memory to plan how the image is possibly going to look when all three are taken. There is an element of serendipity with the final image, where some are better or worse than expected," he says. "Even though this work is shot digitally, I limit the editing of the images to what I would do in the dark room if I was developing film. So the things I edit are cropping, exposure, contrast etc. By limiting myself in this way I have to be more aware and present during the taking of the images, as I simply can't "fix it in post".

Love, Hugs + Kisses - Midsumma Festival preview

Nestled in a laneway near Elizabeth and Londsdale streets, queer underground nightclub, Hugs + Kisses, opened its doors in 2010 and for nine years it was a supportive space for LGBTIQ+ people to get together and make it their own. Music, dancing, liberation, open-minds and self-expression were all welcome. In January 2019, it closed its doors for the last time.

Photographer Nik Epifanidis was at Hugs + Kisses on its closing night. Set up outside the club, he spent the evening taking portraits of who was there, capturing the mood and tone that was present in the crowd. Only able to spend a few minutes with each person, Epifanidis asked them to focus on the emotion they wished to convey to the camera. The result of that is the Love, Hugs + Kisses exhibition, which acts as a compendium to a documentary on the club that is scheduled to be released in 2020, and begin presented as part of the Midsumma Festival.

While not personally connected to Hugs + Kisses, Epifanidis understood the importance and relevance of this venue closing, and was keen to be involved in the project when the film makers of the documentary made contact. "I hadn’t been to Hugs + Kisses, but I've always been intrigued by counter culture and how this is communicated. There is usually a good reason these places come into existence that speaks about people feeling the need to show themselves and be heard in a way they are unable to in the current mainstream," he says.

My Monster: The Human-Animal Hybrid exhibition review

My Monster: The Human-Animal Hybrid is an exhibition at RMIT Gallery that looks at our relationships and perceptions of the non-humans who are among us. Curated by Evelyn Tsitas, the exhibition is divided into five different and curious sections: xenos (foreigner / stranger), mythos (stories / narratives), tokos (childbirth / reproduction), eros (erotic love) and kosmos (the world).

A highlight of the exhibition is in mythos, with Moira Finucane and David Verhagen’s Fur Can’t Fly (The Mourning of the Fur). This is beautifully conceived immersive, multi sensory installation that tells of a transformative journey in the mountains of Brazil. The evocative score by Shinjuku Thief and the soothing yet commanding voice of Finucane aid you through your journey. The specially designed vibrating chair and the lighting design by Thomas Dahlrnburg and Verhagen are simply stunning. With your eyes closed, every movement of the chair and sliver of light slipping into your vision makes you believe you are living this uplifting tale.

The Bombay Talkies exhibition

Peter Dietze opening The Bombay Talkies

There is much to experience during the inaugural Asia TOPA Festival, a festival which celebrates the artistic and creative talent of our neighbouring Asian countries and Australia's connection with these countries. One such event is The Bombay Talkies exhibition that is currently on at ACMI, which offers a glimpse into a movie studio that changed the film industry in India.

Founded in 1934 by Himanshu Rai - a pioneer of Indian cinema - and Devika Rani - an actress who has been widely acknowledged as the first lady of Indian cinema, The Bombay Talkies produced 40 films in 20 years and lifted Indian films to that of international standards. 

This free exhibition consists of over 3,000 cultural artefacts once owned by Rai and highlights the impact that the studio had on the country during this time. The multitude of newspaper clippings, letters, invitations, stills and photographs all show the fascination (and even obsession) that audiences had for its films and actors, including Ashok Kumar, who became the star of the studio and an icon of Indian cinema.

#Dragformation - Midsumma preview

Aaron Walker's latest exhibition, presented as part of Midsumma, looks into the world of drag and what it represents. #Dragformation aims to capture and document what 'drag' is, what it means, and who the people who engage with it are through before and after portrait photography of the performer.

Walker's conceptualisation for this project came through photographing the performers of a drag show backstage. "As I was shooting, what really struck me more than the show was the transformation process itself. After the show I knew I had to see if I could capture this on film in a way that needed to be a natural everyday look but also fabulous and spectacular. That’s when I chose to use a diptych to convey the effect of the drag artist’s look and persona from the street to the stage," Walker explains.

Convergent Pathologies - Midsumma preview

One of the more intriguing exhibitions being presented at Midsumma Festival is Premier Event, Convergent Pathologies. Curated by myriad collective's darcy t gunk, the work on display by trans and gender diverse (TGD) artists living with mental illness, is a representation of their experiences of making choices to resist or comply with being pathologised.

As co-founder of myriad collective - a group that seeks to create performance, exhibition and professional development opportunities for TGD artists in Melbourne - finding the talent for this exhibition was not an arduous one for darcy. "Almost all of the artists in this exhibition have worked with myriad collective before, which meant that they understood how we do things, and our ethics and values as a collective. We did an open call for submissions and the response we got was that they were really excited to be part of this exhibition. myriad collective is all about bringing together a broad diversity of trans and gender diverse experience, so I wanted to fit as many artists into the exhibition as possible, whilst still allowing them to present up to 3 works each," darcy says.

Identity art exhibition - Midsumma Festival preview

Cultural theorist Stuart Hall once asked, "how much do we retain, and how much do we give up of our cultural identity in order to be ourselves?" In Susan Maco Forrester's latest art exhibition, Identity - and presented as part of the Midsumma Festival - she explores these ideas and looks at how we go about forming our identity and the importance of knowing who we are and where we came from.

While someone's personal identity can often be difficult to define in its most simplest terms, in Forrester's case it is understandable. Forrester is a GLBTIQ woman of Somali/Scottish heritage with her family coming to Australia as '20 pound poms' in 1974. Furthermore, Forrester's mother was also the first Somali woman to settle in Australia. "I have been reflecting whilst installing my show, about how much of my identity has developed from myself and how much has been put on me, so to speak," she explains. "Growing up I had often felt like I lived on the fringe, not really wholly belonging to Western or African cultures. What I have found interesting, is that in my experience, identity is not something that Anglo Australians think about in describing themselves."

"Identity is a concept that is thought of for others, so for someone like me, of mixed Celtic and African heritage, who lives in Western society, often it is only my African heritage that  is seen as my identity. However, already being used to being a fringe dweller really helped me when i 'came out', so I guess my idea of my identity has been formed by and strengthened by living on the edge of, and having one foot in a few camps." 

Exposed art exhibition - Midsumma Festival preview

MrPeeDee by Ross Spirou

While there are many theatre and stage productions on during the Midsumma Festival, there are also a large number of art exhibitions happening around Melbourne. One of these, Exposed, has two artists, Ross Spirou and Steve Edwards, presenting works in different art styles but with similar themes and ideas. Both were winners of last year's Men On Men Art Competition with Spirou winning the Grand Prize and Edwards winning the People's Choice Awards, and as part of that, they have the opportunity to display their work in a joint exhibition at The Laird Hotel during the festival.

"I love to share my art and passion with the world and this exhibition is allowing me to do just that and of course, it is also nice to be part of MidSumma!" Spirou explains. "We enter competitions and hold exhibitions to let the world know that we are here and this is what we do and Exposed is another step taken towards reaching a greater audience. The name of our exhibition is very appropriate as we will be exposing our art and who we are as artists to the community and hopefully beyond."