Game Boys Cinematic Universe - Melbourne Fringe Festival preview

Most of us have fond memories of trips to theme parks such as Warner Bros. Movie World, Universal Studies, Dreamworld and even Gumbuya Park (now Gumbuya World). As part of the Melbourne Fringe Festival, audiences can not only relive these moments but also experience a new and exciting park with Game Boys Cinematic Universe. Our personal guides, brothers Eden and Josh Porter take us on the famous Game Boys Studios Backlot Tour, to be dazzled by all the behind-the-scenes magic and getting a unique look into how the movie industry operates.

The Porters have numerous memories related to theme parks, where even the not-so-great ones are still entertaining. “We went to Movie World up in Queensland one holidays as a family and on the back-lot tour they tried to get our Mum up on stage for a green screen performance. They did not know our Mum. She initially pretending not to notice them pointing at her, followed by the head shake, then the "no", then the "no thank you", then the "no, not interested",” the brothers tell me. “Then the guide tried to do the old trick where they ask the audience to cheer for the lady in the floral dress to come up on stage which works 99% of the time. Mum was the 1%. After about 6 minutes of trying to get her up, he finally gave up and the tour continued with a much more fun volunteer.”

Game Boys Cinematic Universe - Melbourne International Comedy Festival review

I have a confession to make: I have only been to two theme parks in my entire life and one of those has been Luna Park. So I was filled with much excitement as I entered Game Boys Cinematic Universe, a comedic pastiche to theme parks of the 90s, particularly those with a focus on film and the cinematic experience, such as Movie World. We are welcomed by our hosts, brothers Eden and Josh Porter (Game Boys) and before we know it, we are strapped in for our Backlot Tour of Game Boys Studios.

Game Boys Cinematic Universe is highly interactive with audience participation but the Game Boys duo are so extremely charming and friendly that you end up wanting to participate. The attention to detail in what a theme park should look and feel like and the dedication the two have in their characters allows the audience to be swept away by the entire adventure. Inspired use of AV technology ensures the exaggerated scenarios they take us through, including the sound studios where Hans Zimmer is hard at work, strengthen the world that is being presented to us.

Top Ten Films at 2018 Melbourne International Film Festival

So two and a half weeks of craziness come to an end yet again! While I still have not been able to crack that elusive 50 films, I did increase my total from last year by 11, to 45 movies. Of those 45, I now present you my Top 10 movies from the 2018 Melbourne International Film Festival.

1. The Night Eats The World

I suspected I would like this film because it involved zombies, but I didn't think I would be so engrossed by it. Its exploration of loneliness and isolation amidst a zombie apocalypse is skilfully accomplished with just the right levels of comedy and horror to prevent you from getting too overwhelmed by the bleakness.

As Sam, Anders Danielsen Lie expresses the boredom and the uncertainty that our protagonist is feeling faultlessly. Without much dialogue (between humans at least), Lie relies on his physicality and expressions to present the impact these events have had on him. Despite the zombies, this is a thoughtful (and philosophical) film about the desire people have in wanting to connect with others.

Top 10 Films at 2017 Melbourne International Film Festival

So two and a half weeks of craziness come to an end yet again! With work and study commitments, I was only able to attend a dismal 34 films this year. Of those 34, I now present you my Top 10 movies from the 2017 Melbourne International Film Festival.

1. Call Me By Your Name

I will preface this by saying that while I am not 100% smitten by Armie Hammer, his charisma throughout this film and the intense chemistry between himself and Timothée Chalamet made watching Call Me By Your Name an incredibly emotive experience. James Ivory's screenplay of André Aciman's novel poignantly captures the intimacy and the heartbreak of these two lovers during the summer in Italy 1983.

Luca Guandagnino's direction creates some amazing aesthetics, although it's probably not hard to do that with the location but credit given where credit due. My only criticism would be the decision to have the final scene with the credits rolling by, as it really took away the powerfulness of that moment.

Top 10 Films at 2016 Melbourne International Film Festival

So two and a half weeks of craziness come to an end yet again! With work and study commitments, I was only able to attend a dismal 48 films this, one less than last year! So I now present you my Top 10 movies from the 2016 Melbourne International Film Festival.

1. The Neon Demon

Probably one of the most divisive films of the festival with strong opinions by all, and all with valid reasons, but I loved the way it was filmed, with some beautiful camera work and editing. The soundtrack by Cliff Martinez is incredible and I am still listening to it pretty much on a daily basis. The cast are great - especially Elle Fanning and Jena Malone - and direction by Nicolas Winding Refn is slick and effective.

My only criticism is that it could have ended a little sooner than when it did. People who've seen the film will probably be able to guess as to which scene should have been the final scene, as it is a very strong scene.

Hear My Eyes event - "Heartbeats" and GL

Heartbeats (2010) dir. Xavier Dolan

There is, and always has been, a constant drive to enhance people's movie watching experience, including IMAX and 3D screens and even 4D (Smell-O-Vision) screenings. Melbourne based arts organisation, Hear My Eyes, however, has taken a different approach in creating a unique experiences for audiences by incorporating live scores to accompany the film screening.

Canadian director Xavier Dolan's 2010 film, Heartbeats, which follows the story of two friends who fall in love with the same man, has been chosen for this project's screening. "The creative process varies for each project. On some occasions we choose the band first, and then it’s a matter of searching high and low for the perfect film that will suit their taste. On other occasions we choose the film first, then pitch the idea to a select few bands whose sound will complement the film," explains Creative Director, Haydn Green. "In this case, Heartbeats was chosen first and from there we focused on the band. Because Heartbeats is such a sexy, stylized film with a lot of energy and emotion, we chose local Melbourne band GL, (aka Ella Thompson and Graeme Pogson) whose 80's analogue synth pop possess the same characteristics."

Bette & Joan: Bitch. Slut. Liar. Whore. - Midsumma Festival review

These days, you just need to look at a cover of a magazine or access a website to be bombarded with Hollywood stories and gossip. Some might say it’s the price to pay for being in the industry, however in Bette & Joan: Bitch. Slut. Liar. Whore., writer and performer David Morris explores how this type of reporting is predominantly focused on women and how not much has actually changed since Hollywood’s golden era.

As she sneaks into her bedroom to escape a dreary party, Bette Davis (Morris) comes to find the real party is in her bedroom, as she finds thirty audience members in there. She begins to reminisce about her life and the lost loves she has encountered. Of course, one such as Davis cannot reminisce about her Hollywood life without an appearance by her infamous arch-nemesis Joan Crawford, brilliantly played by Tom Halls. Having two gay men portray these immortal Hollywood stars is an effective and clever idea in reminding the audience of the fact that men who behave in this way are rarely scrutinised or expected to justify themselves to anyone.

Bette & Joan: BITCH. SLUT. LIAR. WHORE. - Midsumma Festival preview

It was the golden era of Hollywood, where stars truly existed and there was a sense of mystique surrounding them. Stars like the indomitable Bette Davis and Joan Crawford, who despite their circumstances, never quite managed to see eye to eye with each other. Their feud, which continued even after Crawford passed away, is one that has captivated people for decades. Performed as part of the Midsumma Festival, Bette & Joan: BITCH. SLUT. LIAR. WHORE resurrects these two dead women and pits the Hollywood legends head to head in one final battle; winner takes all. 

"Bette and Joan are the epitome of the Old-Hollywood ‘star-system’. They worked their way up through the Hollywood Studio system, and carved out an image and brand for themselves," explain co-creators David Morris and Tom Halls. "They poured their entire being into being a Hollywood star, to being worthy of the big screen. They worked tirelessly at their craft, at executing their characters; that was awe inspiring. I guess what captures us creatively is the incredible sadness they both had in their personal lives. They both were desperate for the love of a partner and their children and friends, but somehow managed to push away every person whom they ever really got close too."

Top 10 Films at the 2015 Melbourne International Film Festival

So two and a half weeks of craziness come to an end, and after getting to watch a mere 50 films, I now present you my Top 10 movies from the 2015 Melbourne International Film Festival.

1. Mustang 

Admittedly, when I think of countries creating brilliant cinema, Turkey is not one of the first countries I think so, but this will change with Mustang. Similar to that of Sofia Coppola's The Virgin Suicides, five sisters are locked inside their house by their uncle and grandmother after they are seen rubbing their legs against boys' necks in the beach. The girls are subjected to virginity tests and systematically married off to local boys with devastating results. 
The five females are incredible in this, and worth noting this is the first time any of them have acted in a movie. Gunes Nezihe Sensoy, who plays the youngest sister Lale, in particular has such a strong screen presence, that it would be a shame if we never saw her on the big screen again.
The suspense builds up in this tragic but uplifting story about the suppression of female sexuality by the patriarchy and how in many cultures women are still being seen as just a mother or wife. 
The film also boasts a beautiful score by Warren Ellis.
The trailer is in Turkish still but I think you can see the brilliance of the film beyond the language.

My top ten films at the 2014 Melbourne International Film Festival

Another year, another Melbourne International Film Festival. Bought myself a passport and managed to surpass last year's effort of 37 films to 51 films.
This included films from Spain, USA, Germany, Australia, France, Taiwan, Georgia, India, China, South Korea, UK, Japan, Norway, Brazil, Iran, Austria, Canada, Finland, Mongolia and Italy

These are my top ten:

1. Mommy

I don't think Xavier Dolan can do any wrong. He gets such amazing work from his actors - in this case Antoine-Olivier Pilon, Suzanne Clement and Anne Dorval, who just about steals every scene she is as the mother to Steve, a troubled, violent youth who returns home.
The writing is flawless and Dolan creates a story that demands your attention. Some beautifully shot scenes including the "dream sequence" and a soundtrack that supports the development of the story. Cleverly filmed aspect ratio comes into effect at pivotal moments of the film too.
It reminded me a little of I Killed My Mother but (and not wanting to take away from its greatness either) much stronger all round.

My top 10 films at the Melbourne International Film Festival

So two and a half weeks of craziness come to an end, and after getting to watch a mere 37 films, I now present you my Top 10 movies from the Melbourne International Film Festival.

1. Stranger By The Lake

This French thriller takes place at a quiet lake where men spend the day swimming naked and cruising the neighbouring forest. When Franck witnesses a murder at the lake, it turns into a deadly infatuation with the killer and from there the tension builds to an intense final few scenes.
At times quite Hitchcockian, the story is engrossing and the character development of the three leads was done quite well. I really enjoyed the lack of music on this film and how the natural sounds were used to really amplify the suspense.
Despite it's graphic gay sex scenes, it would be a shame to consider this film as a "gay" movie, as it really is just a film where the characters happen to be gay.