Il Mago di Oz review

It's been over 120 years since the release of L. Frank Braum's The Wonderful Wizard of Oz, in which a young girl called Dorothy Gale is swept away by a tornado and carried to the Land of Oz. While many would have read the 1900 story and many more would have seen the 1939 film, it is the first time that Italian composer Pierangelo Valtinoni’s opera, Il Mago di Oz, is being performed in Australia. Presented by the Victorian Opera, the opera mostly sticks to the source material but manages to throw in a few contemporary references to  surprise audiences.

Soprano Georgia Wilkinson as Dorothy possesses great presence and charisma as the determined and brave Dorothy and an even more captivating voice that takes us on a vocal journey that matches the magic of the physical one that Dorothy takes us on. James Emerson, Stephen Marsh and Michael Dimovksi deliver distinct characterisations to The Cowardly Lion, The Tin Man and The Scarecrow, with their voices supporting each other but able to take the lead when required.

Top Ten Films at 2018 Melbourne International Film Festival

So two and a half weeks of craziness come to an end yet again! While I still have not been able to crack that elusive 50 films, I did increase my total from last year by 11, to 45 movies. Of those 45, I now present you my Top 10 movies from the 2018 Melbourne International Film Festival.

1. The Night Eats The World

I suspected I would like this film because it involved zombies, but I didn't think I would be so engrossed by it. Its exploration of loneliness and isolation amidst a zombie apocalypse is skilfully accomplished with just the right levels of comedy and horror to prevent you from getting too overwhelmed by the bleakness.

As Sam, Anders Danielsen Lie expresses the boredom and the uncertainty that our protagonist is feeling faultlessly. Without much dialogue (between humans at least), Lie relies on his physicality and expressions to present the impact these events have had on him. Despite the zombies, this is a thoughtful (and philosophical) film about the desire people have in wanting to connect with others.

One Suitcase: Four Stories review

In Italian culture, family and close friends always enter the house from the back door. The thinking behind this being that the back door leads to the kitchen and the kitchen is where everything happens. So, in Barking Spider Visual Theatre's latest production, One Suitcase: Four Stories, it's only fitting that we are taken round the Northcote Town Hall and enter from the back entrance.

Our host, Linda Catalano, welcomes us with open arms into her 'kitchen', and by looking at the set design by Tristan Shelley, you would think it was a real kitchen that has been in use for years and filled with many stories to tell. We take our seat at one of the five dinner tables with six other people and immediately, we all have a sense of familiarity with each other and conversation and jokes flow. Such is the power of good food!