Pixel review

Fans of contemporary dance are in for a real treat with Mourad Merzouki's Pixel performing in Melbourne for a very limited season. Mixing dance and interactive video images projected onto a black scrim screen, it is a poetic blending of two worlds - technology and nature - and how they must find a balance to co-exist in harmony.

The light projection by Adrien M / Claire B Company is perfectly executed and visually captivating. There are exciting moments occurring throughout, at one point a wall of digital white pixels come crashing down outward towards the audience and crushing the dancers on the stage. There are scenes where the dancers struggle to pass through the haze of pixels and overpowered but then there are also moments of whimsy and nostalgia as the pixels gently fall through to the floor. It is this mutual respect that is being explored throughout Pixel.

Under My Skin review

Presented as part of the 2016 Next Wave Festival, Under My Skin is a new dance/performance piece that explores how we choose to present ourselves to the world and to consider the things we prefer not to reveal. However, what makes Under My Skin stand out from any other show is that the company behind this, The Delta Project, use both deaf and hearing dancers in its productions. 

With that in mind, there are visual and lighting cues for the four dancers (Anna Seymour, Amanda Lever, Luigi Vescio and Elvin Lam) to follow, but there were no discernible moments where I was able to notice these occurring, as all the dancers seemed to be intensely in tune with the movements of each other and of their own bodies. There was a definite sense of trust among them, which allowed the emotive choreography by Jo Dunbar and Lina Limosani to work so well among the dancers and make their performances all the more powerful.

Frame of Mind review

Sydney Dance Company has returned to Melbourne with Frame of Mind a double bill of extraordinary contemporary dance, featuring the Australian premiere of William Forsythe's Quintett and Artistic Director Rafael Bonachela's Frame of Mind. Although the execution of each work is very different, they both convey the same poignant message about the fleeting nature of life.

The evening began however, with a pre-performance talk with Bonachela and dancers Cass Mortimer Eipper and Chloe Leong. It's always great to hear the thought process that goes into creating any art form, so when the opportunity arises to attend one of these talks, I jump at the chance. It was interesting hearing about the development of the choreography of the pieces; particularly with Frame of Mind and how it grew into the performance we were about to see. Eipper's transition from ballet to contemporary dance and as a choreographer provided an opportunity to learn about some of the challenges that dancers face. The hour flew by and before we knew it, it was show time.

Nothing To Lose review

When you go to see a dance show, you expect to see people who are nimble, thin and fit. You don't expect to see fat dancers on stage. However, Force Majeure have done exactly that with their show,  Nothing To Lose, which explores the physical form of larger bodied people.

The show begins with the seven performers - Claire 'Scarlett' Burrows, Julian Crotti, Michael Cutrupi, Lala Gabor, Ally Garrett, Latai Taumoepeau, Anastasia Zaravinos - asleep on stage, like animals in the wild. As the slowly awaken from slumber and realise they are being watched (by us) they begin to challenge us, staring us down as they walk around the stage saying "fuck you" if you don't like this.