Finding balance in life is not easy. You want to spend time with friends, but you need to study. You want to have that double chocolate chip ice-cream but you should really go to the gym. It is hard work, and in One Fell Swoop's new circus show, Kilter, the science and ideals behind balance are brilliantly brought to the surface.
Using a never-before seen circus apparatus called a "slackboat", performers Charice Rust and Jonathan Morgan offer a refreshing perspective on what circus can be. The duo take their time as they work through each act, making sure that every piece of equipment or prop is utilised to its full potential, which at one point even includes eating it. It's a tight production that keeps the momentum going throughout with the performers acutely aware of when it is time to move on to something else.
Reviews and interviews exploring Melbourne’s independent and professional theatre and performing arts scene.
Showing posts with label One Fell Swoop. Show all posts
Showing posts with label One Fell Swoop. Show all posts
Thursday, 13 September 2018
Friday, 14 July 2017
By A Thread review | Gasworks Arts Park
Circus doesn’t come as bare as One Fell Swoop’s By A Thread.
Presented at Gasworks Arts Park, the entire show consists of one prop: a 30
metre piece of rope held up by two pulleys. The way in which the rope is used
throughout the show, in both a literal sense and a metaphorical
one, leaves audiences thoroughly entertained with the
opportunity to consider the relationships in their life and what trust means to
them.
The spool of rope is used as a representation of trust; trust that the performers place in each other and the trust that we place in people in our own lives. The seven emerging circus artists (Jonathan Morgan, Charice Rust, Sarah Berrell, Ryan Darwin, Ela Bartilomo, Hamish Norris, and Jordan O’Brien from Melbourne’s National Institute of Circus Arts) completely and utterly depend on each other to execute their routines as they are constantly being flung into the air, spun around and dropping into each other’s arms.
The ensemble work confidently as a cohesive team who are able to communicate with each other by just a glance and know exactly where each of them are at any given time. Their amusing and playful acts include an imaginative interpretation of pass the parcel and a brilliant see-saw routine that showcases their immense flexibility, agility and strength. There is a strong feeling of innocence and openness flowing throughout the show but there are numerous times where more complex thoughts are explored.
The spool of rope is used as a representation of trust; trust that the performers place in each other and the trust that we place in people in our own lives. The seven emerging circus artists (Jonathan Morgan, Charice Rust, Sarah Berrell, Ryan Darwin, Ela Bartilomo, Hamish Norris, and Jordan O’Brien from Melbourne’s National Institute of Circus Arts) completely and utterly depend on each other to execute their routines as they are constantly being flung into the air, spun around and dropping into each other’s arms.
The ensemble work confidently as a cohesive team who are able to communicate with each other by just a glance and know exactly where each of them are at any given time. Their amusing and playful acts include an imaginative interpretation of pass the parcel and a brilliant see-saw routine that showcases their immense flexibility, agility and strength. There is a strong feeling of innocence and openness flowing throughout the show but there are numerous times where more complex thoughts are explored.
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