Showing posts with label Daniel Keene. Show all posts
Showing posts with label Daniel Keene. Show all posts

Thursday, 30 November 2017

Lost: 5 review

Australia playwright Daniel Keene has been writing for the theatre for almost 40 years and has a multitude of awards to his name. Presented as part of the Poppy Seed Festival, Ilumi-Nation Theatre's newest production, Lost: 5  takes five of Keene's monologues and weaves them together to share a variety of stories on homelessness set within the Melbourne CBD.

While not all monologues deal directly with the homeless and homelessness, director Michelle McNamara has chosen pieces that highlight human behaviour and how hopeless and alone people can feel. In some cases they shed light on why and how people find themselves without a home, particularly through Kaddish, where a man's grief of watching his partner die becomes all too overwhelming for him to accept and deal with.

Monday, 17 November 2014

Lost & Found review | Theatreworks

Having recently seen Daniel Keene’s brilliant Dreamers, I was looking forward to seeing more of his work in Verve Studios’ production Lost & Found. Performed by the second year Professional Actor’s Studio graduates and directed by Peta Hanrahan, the play looks at three short stories by Keene all dealing with loss or gain around life: “The Violin”, “Neither Lost nor Found” and “What Remains”.

By far, the most powerful performances among the three were in “Neither Lost nor Found”, in which an estranged mother and daughter are reunited. The two actors Nicole Morgan and Danelle Wynne were able to connect emotionally with the characters and offer some significant insight into the minds of these people.

Saturday, 15 November 2014

Dreamers review

Originally commissioned for French theatre company Tabula Rasa, the English-language premiere of Dreamers presented by fortyfivedownstairs could easily be a narrative born straight out of current Australian politics and newspapers. The story follows a young Muslim refugee, Majid, who seeks work and acceptance from a community that eyes him with suspicion, disdain and aggression.
Majid (the impressive Yomal Rajasinghe) is waiting for the bus where he meets the lonely and much older Anne (Helen Morse). Through a second chance encounter their friendship deepens into a romantic relationship, much to the outrage of the town’s residents.