At last year's Melbourne International Comedy Festival, a joyous little cabaret was performed at The Butterfly Club. Initially with little fanfare, word of mouth soon spread making it one of the most sought after tickets at the festival. The show was The Aspie Hour and it returns for an encore season at this year's Melbourne International Comedy Festival.
Written and performed by Ryan Smedley and Sophie Smyth, they share two 30 minute stories on their experiences of living with Asperger's Syndrome through their mutual love of musical theatre. The two met while studying a Bachelor of Arts (Music Theatre) at the University of Ballarat. While they were a year apart, in their respective final years they each had to create a ten-minute cabaret that ended up being very similar. "Both
were about music theatre and about our experiences with Asperger’s. They were focussed so specifically on the same issues that it
just made sense when our director, Fiona Scott-Norman, suggested
expanding and combining the two," they tell me.
From there The Aspie Hour was born, resulting in an extended sell out season at the comedy festival and most recently picking up two Green Room Award nominations for Best Writing and Best Ensemble for cabaret. "We certainly felt very lucky to
receive so much interest, particularly as the season progressed.
Sometimes when creating a show, it can take until the end of its
development before the most potent themes emerge. I eventually realised
the show is summed up in a lyric at the end of one of our duets: "Everyone is different, yet the same," Smedley says.
Meet Sophie Smyth and Ryan Smedley. They both love musical theatre, they have both travelled to New York for the sole purpose of watching as much musical theatre as possible and they both have Asperger's Syndrome. In their comedy cabaret show, The Aspie Hour, the two share moments of their lives and reflect on what it's like living with Asperger's.
Even though eye contact makes them nervous and not liking physical contact with people, Smyth and Smedley seem to absolutely love being on the stage and make clear eye contact with the audience throughout, instantly creating a connection with us. Their openness and vulnerability allows the audience to better understand not only what Asperger's Syndrome is, but also how it impacts the lives of the people who have this type of autism.
We all know the “traditional” tale of Pinocchio: the wooden puppet who just wanted to be a real boy. Created as a grim Italian children’s novel by Collodi, and sanitised for the Disney movie, emerging theatre company A_tistic have cleverly re-imagined this story as part of the 2016 Melbourne Fringe Festival in quite a different way and with some brilliant results.
A_tistic aim to tell stories that highlight the
experiences and create an understanding of autism spectrum disorders, so writer and director Tom Middleditch has adapted Pinocchio’s tale
as an allegory for a boy with autism who is attempting to become a "real
boy". Middleditch, himself on the autism spectrum, has created a
thoughtful story that not only looks at the anxieties and difficulties people with
autism can experience but also those of their parents attempting to understand
and accept their child as they are.

We all know the story of Pinocchio, about a puppet who wanted to be a real boy. For this year's Melbourne Fringe Festival, emerging theatre company, A_tistic Theatre present Pinocchio Restrung, a re-imagined tale with Pinocchio's story used as an allegory of the life of an Autistic boy. Formed through Monash Uni Student Theatre (MUST) in 2014, the company aims to integrate the experience and understanding of autism spectrum disorder (ASD) into contemporary "spectrum theatre".
"Spectrum theatre, came from a number of different influences, building one on top of the other," explains writer/director of the show, Tom Middleditch. "I was getting to the end of my Arts Degree, and wanted to put the knowledge I had gained through my study of philosophy and theatre to good and effective use. I was looking for a project to put on at MUST, and Artistic Director Yvonne Virsik suggested I look at devising something around Autism, of which I had expressed interest in the past, due to my own diagnosis on the spectrum."