The success of a show like this rests heavily on the rhinestone-studded shoulders of whoever takes on the role of Parton, and it has well and truly struck pink with Tricia Paoluccio. Under Gabriel Barre’s direction, she captures Dolly’s voice, laugh, and mannerisms with uncanny precision. It’s not simply an impression, but a fully realised performance with her musical numbers also a highlight. Alongside the talented onstage band and Andrew Worboys’ musical direction, these songs are delivered with wonderful energy and authenticity.
Dash Kruck delivers a solid performance as Kevin, convincingly portraying his desperation to find purpose and the frustration of being at a standstill. His character draws attention to the powerful impact fandom and parasocial relationships can have, where an imagined connection with a larger-than-life figure like Dolly becomes a source of consolation and motivation in isolation. Even though the role doesn’t offer him much to work with in terms of development, Kruck still convey a subtle, relatable complexity.
While the performances and songs are strong - including classic hits such as "Jolene", "Working 9 to 5", and "Islands in the Stream" - the story itself is thin on substance. Kevin is in a rut, and although Dolly guides him forward, he doesn’t actually do a great deal to change his situation, good things simply happen to him. He’s more reactive than proactive so it's hard to see his win as earned. The COVID setting is also unnecessary; people are here for a fun time, why have us thinking about lockdown? The narrative could have worked equally well if Kevin were isolated at home after a messy breakup. The failed relationship provides no stakes, as it's played more for laughs rather than emotional depth or tension.
Jenni Langford’s costume design brilliantly displays Parton’s signature sparkle and glamour with rhinestones and bold colours that bring Dolly vividly to life without overwhelming the intimate stage. Complementing this, Paul Wills' set design creates a versatile space centred around Kevin’s claustrophobic attic, filled with many props and items that suggest a lived-in, cluttered environment. The select props that are used are thoughtfully chosen to support the story and deliver instances of surprise for the audience.
In the end, this musical is a comfort blanket for Dolly fans, a sparkling tribute with heartfelt tunes. Here You Come Again shines brightest when it leans on Parton’s timeless music and Paoluccio’s spot-on portrayal, but it falls short of being a fully satisfying theatrical experience. If you’re after iconic songs and a bit of escapism, it absolutely hits the mark. But if you’re looking for a story that moves and challenges, you might find yourself wanting more.
SHOW DETAILS
Venue: Comedy Theatre, 240 Exhibition St, Melbourne
Season: until Sun 20 July and Thur 23 October - Sun 2 November
Duration: 140 mins with a 20 minute interval
Tickets: $119.90 - $149.90
Bookings: Ticketek
Image credit: Cameron Grant
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