Wednesday, 10 April 2024

Motion Sickness review (Melbourne International Comedy Festival)

Goodness. Where to begin with Rachel Tunaley's Motion Sickness? From the moment she appears from behind the curtain, Tunaley's energy levels are at 100 and she is fully committed in this terrific cabaret about a life-changing car accident and a subsequent two-month solo trip to Europe.

Her original songs are marvellous and cover a range of genres including impressive raps and powerful ballads. I never thought I could be so captivated watching someone sing the stations of a train line, but Tunaley does it in an extremely fun way, where even a return to the song later in the show is still as fascinating as the first time. The opening "I Wish" song is quite literally about wishing to get the fuck out of Wattle Glen, and anyone who has grown up in similar areas (myself included) will recognise all the references and in-jokes and empathise with Tunaley's predicament.

Tuesday, 9 April 2024

Goof review (Melbourne International Comedy Festival)

The lights dim and the audience eagerly awaits Oliver Coleman to appear on stage, and he does appear. But at the back of the room. Wearing a landing pad. With an imaginary hawk. And that pretty much sums up the shenanigans of his comedy show Goof.

Coleman seems to be playing a heightened version of himself. A loud voice brimming with confidence and wearing an eye-catching green suit that is extraordinarily dashing. I could write a full review about that green suit. Paired with a red tie and orange socks, it's a colour clash that works for Coleman's style of clash comedy. It may seem like it's off-the-cuff stand-up with drizzles of desperation but it's an extremely considered performance where every beat and step is planned. Speaking of steps, his constant pacing and movement on stage is a cross between Danny Zucko from the T-birds and a TV evangelist, another clash that pairs so perfectly together.

Sunny Side Up review (Melbourne International Comedy Festival)

After breaking up with her boyfriend, Diana Nguyen decided to go for a walk to clear her head. Sounds reasonable. Except Diana took it a step further and walked 300kms of the Camino De Santiago in Spain. In her stand-up show Sunny Side Up, Nguyen explores existential questions around what happens after a break-up that results in a number of unexpected surprises, for her and her audience.

Nguyen initially appears playfully timid, but as she quickly tells us, this fairy tale of love ended up being a teary tale and we then see the unabashed, loud, and snorting version of the comedian. We are taken through a variety of episodes in the lead up to her trip to Spain and the other adventures that follow, including a ridiculous story of an Italian man and a yacht that feels like it has been plucked straight out of the second season of The White Lotus, but with a comparatively much better ending for Nguyen.

Sunday, 7 April 2024

My Treasures My Beautiful Treasures review | Melbourne International Comedy Festival | Trades Hall

Tom Walker starts his show with incisive questions. To be more specific, that's what he says the review should open with as he is getting assistance to unlock the laptop he's using for his show, My Treasures, My Beautiful Treasures. While this kicks off in Walker's trademark absurdity, the rest of the show leans in on more traditional storytelling and stand-up, resulting in a very pleasant surprise.

So what are Walker's treasures? It is not what you would think. Firstly, it's not even an object. Instead, it's a list of pathetic men who are not hurting anyone. To elaborate on this would ruin the leadup and suspense, but trust that in true Walker fashion, it's not the type of men you would expect.

Saturday, 6 April 2024

Still Dry White review (Melbourne International Comedy Festival)

It's not often you go to a 50-minute show and have a comedian open up for the main act. But that's what happened in Still Dry White, where the enthusiastic, loud and animated Bron Lewis came out for a few minutes to get us all hyped up for Nick Schuller. Once he's on stage though, you realise it's time to wine it down, as his energy could not be any more opposite to Lewis'. He barely moves, is monotone and very very dry. It's a bit jarring at first, but it's a smart way for Schuller to subvert expectations of what stand-up has to be that makes Still Dry White a ridiculously fun evening.

Schuller doesn't reach for anything too dramatic in terms of material and stories he tells. He's not talking about politics or making grand statements about the state of the world, but small everyday things, like golf (presumably), uber deliveries and sex education. With the tone and pace that he sets, it actually makes these jokes quite intriguing and ending them with unexpected punchlines.