Set inside the Aurora
Spiegeltent, Strut & Fret’s Blanc de
Blanc is the newest blend of cabaret, circus and burlesque to make its way to
Melbourne. A stream of scantily-clad men and women present a variety of acts
intended to titillate and dazzle, and while there are some thrilling moments,
this is unfortunately rarely the case. As such, the show ultimately comes across as a
relatively mediocre variety night of dance and clowning, which over two hours begins
to feel repetitive and tiresome.
Spencer Novich is absolutely hilarious as the right hand man to maitre d’ Monsieur Romeo. His clowning and physicality kept the entire audience bellowing with laughter and his mime montage of various sound bytes all thrown together was the highlight of the evening. His later pairing with J’aiMime for a second dose of this was even more impressive. Unfortunately the same cannot be said for his Romeo, whose entire presence throughout the show felt awkward and at times unnecessary.
Of the limited circus acts performed, it must be noted Hampus Jansson and Milena Straczynksi’s double aerial act showed strength and sensuality while the bellhop acrobatics by Masha and her spinning hotel luggage cart displayed strong skill and real concentration.
Spencer Novich is absolutely hilarious as the right hand man to maitre d’ Monsieur Romeo. His clowning and physicality kept the entire audience bellowing with laughter and his mime montage of various sound bytes all thrown together was the highlight of the evening. His later pairing with J’aiMime for a second dose of this was even more impressive. Unfortunately the same cannot be said for his Romeo, whose entire presence throughout the show felt awkward and at times unnecessary.
Of the limited circus acts performed, it must be noted Hampus Jansson and Milena Straczynksi’s double aerial act showed strength and sensuality while the bellhop acrobatics by Masha and her spinning hotel luggage cart displayed strong skill and real concentration.
Despite the glaring presence of
champagne throughout, there was neither a strong, fluid theme running between each
act or an overarching narrative to make Blanc de
Blanc a cohesive whole. The use of the spa felt tacky, as if it was imposing on the show rather than working as a character of it. Meanwhile, towards the end of the show, audience members are given five minutes
to take selfies with the performers and while the intentions might be to
connect with us, the overt self-promotion meant the show loses
any charm it may have garnered along the way.
Strut & Fret delivered an
amazing show with LIMBO during
Melbourne Festival in 2015. Unfortunately they have failed to re-create that
magic with Blanc de Blanc, with its
lack of a clear purpose and the dearth of exciting acts.
Venue: The Aurora Spiegelent, Jacka Boulevaerd, St Kilda (next to Palais Theatre)
Season: Until 30 July| Tues - Thus 7:30pm, Fri - Sat 7pm and 9:30pm, Sun 7pm
Tickets: between $38 and $78
Bookings: Map 57
* Original review appeared on Theatre Press on 25 June 2017.
Photo Credit: Damien Bredberg, Daniel Boud & Ken Leanfore
Venue: The Aurora Spiegelent, Jacka Boulevaerd, St Kilda (next to Palais Theatre)
Season: Until 30 July| Tues - Thus 7:30pm, Fri - Sat 7pm and 9:30pm, Sun 7pm
Tickets: between $38 and $78
Bookings: Map 57
* Original review appeared on Theatre Press on 25 June 2017.
Photo Credit: Damien Bredberg, Daniel Boud & Ken Leanfore
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