I can only begin to wonder how composer and
performer Matthias Schack-Arnott even began to visualise his installation for Fluvial.
It consists of two rows, about five metres long, of various metal, aluminium
tubing and glass bottles running parallel to each other. A number of bottles
and chimes hang from above with fishing wire, seemingly floating in the air.
The pools of water along the rows and the name of the show itself, make this
"river of percussion" a sight to behold.
The lighting design by Travis Hodgson works very
well with the environment that is being set up. There is only a low light
following Schack-Arnott, with everything else remaining in darkness. The only
exception to this is the sharp flashes of light that are formed by the materials on
display. The feeling that the past and the future are not worth thinking about
and our focus needs to be on the present is prevalent in the piece.
It’s no surprise that Fluvial won
Schack-Arnott the 2014 Green Room Award for Outstanding Work by an Emerging
Artist. It’s an enchanting piece of work that allows you to slow down and not
only truly appreciate what you are watching but also reflect on the effect it
is having on you.
Season: Until 17 May | Thur-Sun 6:30pm, Fri 8.45pm, Sat
3.30pm, Sun 4pm
Tickets: $30 Full | $20 Conc
Bookings: Arts House
* Original review appeared on Theatre Press on 14 May
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