Tuesday, 26 May 2015
Sunday, 17 May 2015
In Italian culture, family and close friends always enter the house from the back door. The thinking behind this being that the back door leads to the kitchen and the kitchen is where everything happens. So, in Barking Spider Visual Theatre's latest production, One Suitcase: Four Stories, it's only fitting that we are taken round the Northcote Town Hall and enter from the back entrance.
Thursday, 14 May 2015
There is a familiar smell in the air as I take my seat at Arts House theatre. Even though I can’t quite put my finger on it, it feels like rain on a cold, wet night with mist and fog in the air, which subsequently fits in nicely with the show I am about to see, about death. In Endings, Tamara Saulwick explores our attempts to stay connected with loved ones after they have passed away.
Saulwick explores this concept in a very intimate setting with pre-recorded conversations with people who have lost loved ones as well as opening up about the death of her own father. These recordings and conversations describe not only the moments leading up to the death but the thoughts and actions immediately following. One person mentions photographing the deceased with family members and another recalls the shock of hospital staff at a request to bathe the deceased.
Monday, 11 May 2015
Thursday, 7 May 2015
It's a bloody and confronting start to the show as Post take a tongue-in-cheek approach to a myriad of gory literary famous deaths to the soundtrack of Rihanna and Eminem's Love The Way You Lie. There are disturbingly hilarious stabbings, digestion of poison and severing of limbs, but none are more powerful than the first 30 seconds. And that is all I will say on that.
The evening began however, with a pre-performance talk with Bonachela and dancers Cass Mortimer Eipper and Chloe Leong. It's always great to hear the thought process that goes into creating any art form, so when the opportunity arises to attend one of these talks, I jump at the chance. It was interesting hearing about the development of the choreography of the pieces; particularly with Frame of Mind and how it grew into the performance we were about to see. Eipper's transition from ballet to contemporary dance and as a choreographer provided an opportunity to learn about some of the challenges that dancers face. The hour flew by and before we knew it, it was show time.
Sunday, 3 May 2015
So when I came across The Humble Tumbler (Clare Burder) and the The Gin Queen's (Caroline Childerley) gin masterclass, I knew it was something I had to partake in. Throughout the course of the evening, Childerley and Burder take us on a journey through the early beginnings of gin and provide tastings of nine gins from across Australia and around the world, each with its unique distillation, botanicals and taste.