Share House: The Musical review

Living in a house share is a rite of passage for most people. It is the period of your life where you must look after yourself and do all your own cooking, washing and shopping, while navigating the trials and tribulations of getting along with who you've chosen to live with. Share House: The Musical is built on the success of Jude Perl's 2017 comedy-cabaret Roommates: The Musical, but now there's a 15-person orchestra and four actors joining Perl on stage as she tries to negotiate the dramas of living with others and the issues that arise from that.

Isabelle Davis and Anita Mei La Terra play Perl's housemates with Davis taking the role of the harsh Jane who has been friends with Lucy since high school, and La Terra being the super positive Alice, who is the new addition to this house. With the dynamics changing due to a third housemate, all three are forced to question whether this arrangement will work for them. The three actors, especially Perl, dazzle with their vocal performances and while all songs are enjoyable, the songs they sing together are extremely fun.

Il Mago di Oz review

It's been over 120 years since the release of L. Frank Braum's The Wonderful Wizard of Oz, in which a young girl called Dorothy Gale is swept away by a tornado and carried to the Land of Oz. While many would have read the 1900 story and many more would have seen the 1939 film, it is the first time that Italian composer Pierangelo Valtinoni’s opera, Il Mago di Oz, is being performed in Australia. Presented by the Victorian Opera, the opera mostly sticks to the source material but manages to throw in a few contemporary references to  surprise audiences.

Soprano Georgia Wilkinson as Dorothy possesses great presence and charisma as the determined and brave Dorothy and an even more captivating voice that takes us on a vocal journey that matches the magic of the physical one that Dorothy takes us on. James Emerson, Stephen Marsh and Michael Dimovksi deliver distinct characterisations to The Cowardly Lion, The Tin Man and The Scarecrow, with their voices supporting each other but able to take the lead when required.

Iphis review

It's been a number of years since I've seen an opera by Lyric Opera and there is great anticipation as to not only what story they choose to tell with each production but also the innovation and the uniqueness in which they will present it, and Iphis is no exception.

Running at just 70 minutes, this is a short opera but there is much that is covered in Iphis, beginning with Telethusa going through labour (and what a memorable labour it is) as her husband, Lidgus, eagerly awaits the arrival of a son. However, Telethusa gives birth to a girl and in order to protect her child (and herself) from her husband's wrath, secretly raises Iphis as a boy. Fast forward a decade or two and Lidgus is preparing to marry Iphis off to Ianthe, which introduces various issues around gender, identity and relationships.