CreepyPasta review | Dancehouse

Once confined to internet message boards and YouTube narration channels, creepypasta has steadily entered the mainstream, most recently through the release of Backrooms. These eerie tales of liminal spaces, conspiracies and inexplicable horrors have become a defining form of modern folklore. Harrison Hall's CreepyPasta draws on that tradition, using dance, sound and media to examine the anxieties lurking beneath our constantly connected lives.

CreepyPasta opens with a striking sequence. A lone performer (Nikki Tarling) is tethered to a rope that disappears into the darkness above. She moves with slow, precise fluidity under a solitary spotlight. Shiv Geaney's lighting sends red laser beams slicing through the space towards the audience, while Mat Spisbah's pulsing, heartbeat-like soundscape builds a sense of foreboding. Tarling's body is the only human presence in an environment consumed by screens, attempting to resist invisible forces pulling at her. Harrison Hall soon joins her, with the pair navigating various physical and multimedia encounters that push the boundaries between dance, performance art and digital installation.

Saplings review | Arts Centre Melbourne

Young people rarely enter the youth justice system because of a single bad decision. More often, they're shaped by circumstances beyond their control, the adults who fail them, and institutions that struggle to offer the support they need. Hannah Belanszky's Saplings - which is drawn from workshops and interviews with incarcerated youths - places those realities centre stage, inviting audiences to reconsider the labels and see the people underneath.

The vignettes introduce us to different young people in different situations, yet they are all intrinsically connected. A teenager is questioned by police after breaching his bail to buy instant noodles, while another group of friends who have just broken into a house cling to doli incapax, the legal principle that children under a certain age are presumed incapable of understanding right and wrong.