Hear My Eyes interview: "Heartbeats" and GL

Heartbeats (2010) dir. Xavier Dolan

There is, and always has been, a constant drive to enhance people's movie watching experience, including IMAX and 3D screens and even 4D (Smell-O-Vision) screenings. Melbourne based arts organisation, Hear My Eyes, however, has taken a different approach in creating a unique experiences for audiences by incorporating live scores to accompany the film screening.

Canadian director Xavier Dolan's 2010 film, Heartbeats, which follows the story of two friends who fall in love with the same man, has been chosen for this project's screening. "The creative process varies for each project. On some occasions we choose the band first, and then it’s a matter of searching high and low for the perfect film that will suit their taste. On other occasions we choose the film first, then pitch the idea to a select few bands whose sound will complement the film," explains Creative Director, Haydn Green. "In this case, Heartbeats was chosen first and from there we focused on the band. Because Heartbeats is such a sexy, stylized film with a lot of energy and emotion, we chose local Melbourne band GL, (aka Ella Thompson and Graeme Pogson) whose 80's analogue synth pop possess the same characteristics."

Hitchcocks's Birds review

Alfred Hitchcock was a genius when it came to creating cinematic experiences. Very few directors, if any, have been able to recreate the tension and anxiety that Hitchcock managed to conjure up in scenes such as Janet Leigh's shower death in Psycho and Grace Kelly's attack in Dial M for Murder. However, behind the scenes, things weren't always so "great" for his leading ladies. In Hitchcock's Birds, Laura Johnston explores what it really meant to be a woman in one of Hitchcock's movies. 

Johnston portrays a number of these Hollywood legends, including Leigh, Kelly, Doris Day and Tippi Hedren and while many of the stories are not exactly new to anyone who has an interest in the man behind the camera or the women in front of it, the way Johnston tells these stories is what draws you in. Johnston uses verbatim interviews and speeches from these stars, which builds on the authenticity of Hitchcock's Birds. This is also supported by her portrayals of the eight actors, where with some simple but highly effective mannerisms and expressions she captures the elegance of Kelly, the liveliness of Day, the frustrations of Hedren and so on and so on. 

My top ten films at the 2014 Melbourne International Film Festival

Another year, another Melbourne International Film Festival. Bought myself a passport and managed to surpass last year's effort of 37 films to 51 films.
This included films from Spain, USA, Germany, Australia, France, Taiwan, Georgia, India, China, South Korea, UK, Japan, Norway, Brazil, Iran, Austria, Canada, Finland, Mongolia and Italy

These are my top ten:

1. Mommy

I don't think Xavier Dolan can do any wrong. He gets such amazing work from his actors - in this case Antoine-Olivier Pilon, Suzanne Clement and Anne Dorval, who just about steals every scene she is as the mother to Steve, a troubled, violent youth who returns home.
The writing is flawless and Dolan creates a story that demands your attention. Some beautifully shot scenes including the "dream sequence" and a soundtrack that supports the development of the story. Cleverly filmed aspect ratio comes into effect at pivotal moments of the film too.
It reminded me a little of I Killed My Mother but (and not wanting to take away from its greatness either) much stronger all round.

My top 10 films at the Melbourne International Film Festival

So two and a half weeks of craziness come to an end, and after getting to watch a mere 37 films, I now present you my Top 10 movies from the Melbourne International Film Festival.

1. Stranger By The Lake

This French thriller takes place at a quiet lake where men spend the day swimming naked and cruising the neighbouring forest. When Franck witnesses a murder at the lake, it turns into a deadly infatuation with the killer and from there the tension builds to an intense final few scenes.
At times quite Hitchcockian, the story is engrossing and the character development of the three leads was done quite well. I really enjoyed the lack of music on this film and how the natural sounds were used to really amplify the suspense.
Despite it's graphic gay sex scenes, it would be a shame to consider this film as a "gay" movie, as it really is just a film where the characters happen to be gay.