A man and a woman spend their evening discussing the dinner party they have attended. It's a banal conversation about who was wearing what socks and who ate the cake. However, in Kat Moritz's Disgust, these conversations open up to fantasy worlds and scenarios, uniting this couple and signifying the love that is shared between them.Reminiscent of Harold Pinter's work, Moritz plays with silences throughout the production, specifying in the writers notes of the program that "lines should only be spoken when the actors feel compelled to speak them". In doing so, when words are spoken, they seep into our minds and let us focus on how this relationship between the two characters is being presented.

