In Islamic religion, Muslim men who die as "believers" are
rewarded with 72 beautiful perpetual virgins as wives
in heaven. These women are known as houris. In Emina Ashman's Make Me A
Houri, two women who meet in the afterlife begin to question and confront
how religion and society view and use their bodies and their spirits.
Ashman creates some moving poetry with her story of these two women as they
come to grapple with their own desire and the expectations placed upon them. Regardless
how confronting the topics discussed are, through her considered and open dialogue, she allows the audience to lower their guard and be drawn into what
is transpiring. Where this story comes up short is that the characters are
largely unchanged throughout it. There is no build up to anything climatic or
revelatory and the women remain static as they recall personal experiences
that lead into deeper philosophical analysis.
