Multiple Bad Things review

In Back to Back's new work, Multiple Bad Things, three employees in a warehouse spend their day putting together an ambiguous structure. As they complete this task, they take part in conversations and present behaviours focusing on inclusion, equity and diversity.

As you walk into the theatre, you are instantly captivated by Anna Cordingley's set design. Erected like a triptych, a computer workstation is positioned on one side, with numerous animal figurines decorating the entire desk. On the other side rests an inflatable flamingo float. In between the two are a variety of gold-coloured pipes and tubes in a half-finished construction that dominates the stage. Cordingley's aesthetic skill extends to the costuming of the cast, with Simon Laherty, Sarah Mainwaring and Scott Price appearing in distinctive orange uniforms and Bron Batten dressed in pink, looking like she's just stepped out of a Barbie movie.

Animal Farm review | Darebin Arts Speakeasy

First published in 1945, it would be hard to imagine how a production of George Orwell's classic Animal Farm could offer something new to audiences. But theatre company Bloomshed have proven they are more than up to the challenge, imbuing the narrative with their dramatic flair and sharp satire to present a highly memorable experience in successfully exploring dark issues with a comedic tone.

The ensemble (Elizabeth Breenan, James Malcher, Anna Louey, Eden Goodall, Lauren Swain, Laura Aldous, Syd Brisbane and Sam Nix) do a brilliant job with the anthropomorphism of their assigned animals, be it Malcher's blindly loyal bleating sheep, Goodall's nervous chicken or Louey and Brisbane's respective vain and dim-witted horses.

A Room of One's Own review | fortyfivedownstairs

In her essay, Women and Fiction, Virginia Woolf discussed why women throughout history were so limited in achieving success in literature. The essay and the series of lectures it evolved into in 1928, remain a potent feminist examination on three areas: what women are like, women and the fiction they write, and women and the fiction written about them. 

In A Room of One's Own Peta Hanrahan has taken Woolf's words and adapted them for the stage putting her 90-year-old thoughts under a compelling new light. First performed in 2016 at La Mama Theatre, Hanrahan's production returns for a second season at fortyfive downstairs with four actors expressing Woolf's thoughts and ideas as if they were an internal dialogue. Hanrahan eloquently interprets these to present an intelligent and articulate conversation on feminism while ensuring a relevance to the contemporary world we live in.

The Three Graces review

Climate change, gender equality and the role of women in society all come together in Laura Lethlean's The Three Graces. Manifesting as a water fountain that has been turned off, three goddesses come together to voice their distress and opinions of where the world is heading and whether or not it's too late to work towards change. 

Madelaine Nunn, Candace Miles and Anna Rodway play Aglaia, Thalia, and Euphrosyne, collectively known as The Three Graces who were regarded to possess the essence of beauty, charm and grace. The three actors are dressed in various black jumpsuit-like outfits that echo peploi that The Three Graces would have worn, but also suits the characters they play in the contemporary scenes. While the three are adept with the material, the performances sometimes feel too exaggerated with big, expressive movements and dialogue that is awkward and unnatural.

RIOT review | Midsumma Festival | Arts Centre Melbourne

This time last year, drag artist Panti Bliss was in Melbourne during Midsumma Festival with her solo show, High Heels in Low Places. In 2018, Panti returns with a number of her talented friends in tow for a hugely entertaining and political evening of circus, dance, poetry and music with RIOT.

There is non-stop wonderment to be had as Panti brings together a fine selection of performers who are a joy to watch on stage. The way in which each act is devised and performed makes them feel like they are something incredibly special and affecting. Led by Panti's inviting display of warmth and humour, the entire audience feels like they are part of the show too. We are all creating something here.

Kate Brennan's spoken word on power, poverty and class divide shows how powerful words can be in showing what the world is like and fostering change. Similarly, opening night's guest performer Melbourne singer Mojo Juju performed her new song about her Indigenous and Filipino heritage to rapturous applause.

Panti: High Heels in Low Places review

Drag artist Panti Bliss rose to prominence in 2014 after her speech about homophobia went viral, where even the Pet Shop Boy remixed her impassioned words into a song. As part of this year's Midsumma Festival, Panti's High Heels in Low Places is the opportunity for Melbourne audiences to be personaly regaled by The Queen of Ireland's stories, experiences and thoughts.

Panti has an innate ability in creating a welcoming, open and safe atmosphere in the room as she walks into the audience, introducing herself to various people, and on the evening I attended, actually meeting one of her cousins for the first time!

Free Admission review | Ursula Martinez | Midsumma Festival | Arts Centre Melbourne

It's been eight years since I first saw Ursula Martinez performing in London and was introduced to her hilarious tongue-in-cheek humour. Presented as part of the Midsumma Festival, Martinez returns to the stage with Free Admission, a show full of her unique comedy stylings which has us questioning how our thoughts and choices can easily prevent us from leading the life we desire, while also wittily providing a literal lesson in construction for us.

Martinez's delivery is well paced with an intentional air of awkwardness as she initially speaks in a slow speech, as if what she is sharing about life is taboo and shouldn't be spoken about. As the show progresses the confidence in her voice begins to pick up and finds her a new rhythm. While a small portion of the dialogue is quite jarring (and perhaps that is her intention), the majority gives Martinez the opportunity to open up amusingly but affectingly about her insecurities, hopes, fears and disappointments.