FUNeral review | The Motley Bauhaus

One inescapable fact in life is that death will always come for us in the end. No matter what we do, life can end at any moment. While that realisation can be quite bleak, Clare Taylor and Ruby Rawlings are here to make it less dire, with their comedy show FUNeral.

During the promotion of their show, the two performers capture the attention of Death itself and so Death decides to crash the party. With the odds against them, Taylor and Rawlings are determined to put Death in its place and break its 100% winning streak of successful life ends, as if this was a comedic version of Final Destination.

Top 10 Show of 2018

Every year I say to myself no more saying yes to going to all the shows in Melbourne and while I exaggerate, I do end up going to a lot. This year, I managed to get to 221 pieces of theatre and live performances (and being one shy of 222 is really going to bug me). Naturally I kept a list of all the shows I saw and below I present my top ten of 2018. If I reviewed the show then a link to the review is also provided.

This is also a great reminder that sometimes the most memorable and exciting experiences are not always the big budget, flashy ones but the ones that are only on for four nights at a small theatre venue. So remember to support your independent theatre makers and venues - some shows can cost you as little as $15 and can be one of the most original and though provoking theatre you might see.

Here we go:

Gravity & Other Myths. Photo Credit: Steve Ullathorne

1. A Simple Space - review

This was actually the first show I saw in 2018 and it still feels like I only saw it yesterday. With this show, Gravity & Other Myths perform a circus show with only a handful of props on a black mat roughly four metres wide and six metres deep. With our attention ultimately glued towards the seven acrobats, they work with the only thing that's left: their bodies. They demonstrate surprising feats on what the human body is capable of, through a variety of acts.
What is great to see in GOM that isn't often seen in other circus or performance shows is their personalities coming through and the camaraderie they share. While we are seeing a show, there is a sincerity and openness present where it's very clear that these people love what they do and are having a great time doing it. Can't wait until their return to Melbourne.

Die! Die! Die! Old People Die! review

Violet and Norman are a 120 year old couple. While their lives might not be as fast paced as they once were, the love and affection they share for each other is still going strong. Presented by UK theatre company, Ridiculusmus, Die! Die! Die! Old People Die! is an exploration of dying and grieving performed by Jon Haynes and David Woods.

The couple appear at the far back corner of the room. A round table and two chairs are placed on top of a circular rug in the front of the space. A chandelier hangs from the ceiling. It takes roughly ten minutes for Violet and Norman to walk over and sit down on the chairs. The physicality Haynes and Woods portray with these characters is skilful and dedicated, but patience quickly wears thin with this show.

vigil/wake review

One indisputable fact is that we are all going to die. No matter how virtuous we are, how healthy we may be or how intelligent we are, we will not escape death. Yet for something that is so definite, we are constantly surprised by or ill-prepared for death. Presented as part of Arts House's Mere Mortals season exploring death, Peta Murray's vigil/wake is a pair of works that has us questioning what we know about death and how we remember those who have died.

The first part, vigil is delivered as an illustrated lecture with Murray presenting facts and statistics on death in a relaxed and personable nature. The six audience members are seated around Murray and an empty made-up hospital bed. We are informed of various facts to do with death; the biggest killer of men in their 20s and 30s is suicide and the older we get, the higher the risk of heart attacks ending us becomes. As Murray explains the various ways in which 95% of Australians are not prepared for their final days, such as having unwritten wills or not having a playlist for their funeral, she also shares her stories of her mother dying ten years ago, thus allowing us to connect on a deeper level with what Murray is saying and to then relate it back to our own experiences and preparedness with death.

The Infirmary review | Arts House

There comes a point in life where it all ends. Life ends. While there are many theories as to what happens to us when we die, nothing is certain about what happens when we have breathed our final breath. Presented as part of Arts House's Mere Mortals season on death and all its facets, The Infirmary is a live art immersive experience designed to leave you questioning your death and what inevitably awaits us.

This is the first part of Triage Live Art Collective's Death Trilogy and in The Infirmary, we are prepared for our death and live through our final hours. This intimate show for a small number of participants begins with individuals being triaged by a clinical nurse. Once formally admitted, we are guided through a hospital corridor and numerous hospital rooms. Despite the movement that is occurring with the various nurses getting their "patients" comfortable, there is a quietness and stillness to my surroundings that I find immediately soothing.

Oedipus Schmoedipus review

I went to the theatre where theatre is theatred…and it was magical. And deadly. And Bloody. But magical. My thoughts upon exiting Post's Oedipus Schmoedipus. Using death scenes from every major play in classical literature, Zoë Coombs Marr and Mish Grigor take us on a journey of dying that pretty much covers every emotion you can think of, because that's what theatre does to people. Emotions.

It's a bloody and confronting start to the show as Post take a tongue-in-cheek approach to a myriad of gory famous literary deaths to the soundtrack of Rihanna and Eminem's "Love The Way You Lie". There are disturbingly hilarious stabbings, digestion of poison and severing of limbs, but none are more powerful than the first 30 seconds. And that is all I will say on that.