The effects of grief and guilt are hauntingly explored in Q44 Theatre's latest production of Conor McPherson's Shining City. Set in Dublin, the story revolves around a therapist and his patient, each with his own set of demons to face, and it's another example of the exemplary work on which this theatre company is building its reputation.
Anthony Scundi is exceptional as Ian, an ex-priest struggling with his loss of faith who has just opened up a therapy clinic. While initially coming across as someone who has his life in order, the ensuing scenes paint a picture of a man who is gradually unraveling. Scundi is well-paired with Sebastian Gunner as John, his new patient and the rapport they share feels genuine. Gunner nails a lengthy monologue that requires him to find the right balance of a range of emotions as he recount the events leading up to the death of his wife.
Reviews and interviews exploring Melbourne’s independent and professional theatre and performing arts scene.
Showing posts with label dublin. Show all posts
Showing posts with label dublin. Show all posts
Friday, 11 November 2016
Saturday, 18 July 2015
Made In China review | Q44 Theatre

You wouldn't expect the seedy underworld of Dublin to have much in common with martial arts, but in Mark O'Rowe's dark comedy, Made In China, these two worlds collide for three men, who are all facing their own power struggle with each other and gang politics. One wants to get out, one wants to get in and the other one want to remain on top.
High up in the gang food chain, Kirby (Stuart Jeanfield) is such a weird character that his menace and aggressiveness is farcical, and not in a good way. In fact, I found a lot of the humour in this to be quite a miss, particular the cringe inducing sexual overtone scenes with Kirby and his Nik Naks crisps. Hughie (Vaughn Rae) is more or less a passive pawn in his power struggle with Kirby from beginning to end. Damien Harrison as Paddy is fortunate enough to play a character that at least gets to go on an emotional journey and is somewhat changed by the end of the proceedings, even if the way it occurs seems forced.
Labels:
dublin,
gang,
gangs,
independent,
Ireland,
Mark O'Rowe,
martial arts,
Melbourne,
Performance,
plays,
reviews,
Theatre
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