The One review

For its festival debut, new kid on the block, Poppy Seed Festival, asked artists, individuals and theatre companies to submit proposals for a theatrical production. From all its entries, Poppy Seed Festival green lit four shows to be performed. The final show to open is Vicky Jones’ award-winning The One. Presented by Fire Curtain Co., it is a 65-minute analysis of one couple’s relationship and its use of love, power, and abuse over the course of one night.

From the beginning we can sense that this is not a couple that is completely happy in this relationship as Jo (Kasia Kaczmarek) casually munches away on twisties while Harry (Ben Prendergast) watches porn on the TV as the two have sex. The arrival of Harry's friend Kerry (Emily Tomlins), who believes her partner has just sexually assaulted her, gets the cogs turning for what will eventually be a fateful night for all three.

Kindred review | Revolt

Every week in Australia a woman is killed by a current or former partner. It is an astonishingly frightening statistic and yet doesn’t seem to be reported by much of the media. Produced by Goldfish Creative, Rachael Blackwood’s new play Kindred brings this issue to the surface as she explores one woman’s struggle to escape from a violent relationship.

We are introduced to this relationship between Princess (Aimee Sanderson) and Knight (Ben Ridgwell) through the eyes of Princess’ various “personalities”: the childlike Minnie (Jessica Martin), the sexual Selina (Madeleine Mackenzie), the motherly Faun (Gabrielle Sing), the wise June (Aisha Jakszewicz) and the aggressive Diana (Blackwood herself).

From the initial fairy-tale beginnings of meeting the charming knight, through the gradual abuse suffered by Princess, right up to the difficult-to-watch final moments, Blackwood’s script is brutal, honest and unflinching.