When The Light Leaves | Midsumma Festival interview

Death is inescapable. We are all going to die. Unfortunately, few of us are given a say on how or when we will die. With the recent introduction of the Voluntary Assisted Dying (VAD) Act in Victoria, where Victorians who are at the end of life (and who meet strict eligibility criteria) can now request access to voluntary assisted dying, Rory Godbold's When The Light Leaves is a timely and compelling examination of VAD legislation and what it actually means to the people who need it and returning to the stage for a second season during Midsumma Festival.


When The Light Leaves had its premiere season at La Mama in July 2019, which was coincidentally the same week that VAD was passed into legislation in Victoria. The timing of the production opened up plenty of debate on the topic between audiences and the creative team. "Being able to put this on while the state of play for the terminally ill shifted was an incredible thing," Godbold recalls. "It happened in the middle of the season, which led to different readings from the audience in the first and second week as the reality of choice in death changed around them. We had a forum after the play on the day the legislation came into effect and there was a whole raft of responses that were not the previous focus of responses. Just as people react differently to grief, the show has elicited a wide range of responses regarding choice on the end of life as people respond to the play on a personal level." 

The Window Outside review

"It makes life so much easier when everybody knows its time", says one character in Belinda Lopez's The Window Outside. Presented as part of the Victorian Seniors Festival, the play explores the relationship between a family when tragedy strikes and tough decisions need to be made. Everyone is reaching boiling point after Frank has had a stroke, Evelyn is showing signs of dementia and their two adult daughters are unable to continue caring for their parents.

Carrie Moczynski reprises her role as Evelyn after playing her seven years ago in a season at La Mama. Her portrayal is once again laced with a loving vulnerability and determination and even though she doesn't explicitly state it, there are traces of acknowledgement that her mind is slowly deteriorating. Ian Rooney's performance relies on his body language and facial expressions to tell his story. He does a great job of highlighting the spark of life he once had and how it has now left him. As his oldest daughter Sharon states in one scene, he is but a shell of what he was, which the flashbacks also do well in supporting.

When The Light Leaves review | La Mama Theatre

Imagine you’re a 34-year-old man with a job that while you might not love, it allows you to live the happy life you lead. What you do love however is your boyfriend and the house that you share. You have dreams of travelling the world together. Now imagine getting diagnosed with terminal cancer. What happens next? In Rory Godbold’s first play When The Light Leaves, this becomes a reality for one person who needs to make one of the most tragic – and controversial – choices of his life.

When The Light Leaves non-linear narrative consists of numerous shifts in time and perspective that allows for the story to be told with significant care and development. Fortunately, the cast that has been assembled is more than able to meet the challenges of this production, especially Tomas Parrish who plays Dan, the aforementioned 34-year-old. He displays great ability to equally highlight Dan’s resolve and fear and in switching from being broken and pained to carefree and hopeful. Leigh Scully elicits a touching sincerity as Liam, Dan’s boyfriend, as he finds himself in denial of the future that is facing the couple. Together with Parrish, the relationship they present on stage feels like it has a genuine history and with a deep felt connection between them.