If you're going to stage the critically acclaimed Pulitzer Prize winning
work, Angels in America: A Gay Fantasia on National Themes, you'd better
hope that your vision will do the play justice. Fortunately, this stunning production
presented by Cameron Lukey and directed by Gary Abrahams will leave audiences
completely absorbed in this breathtaking seven hour epic show.
Written by American playwright Tony Kushner, Angels in America is set in
two parts, entitled Millenium Approaches and Perestroika. The
story isn't the most straightforward to describe, taking place in a world
somewhere between reality, dreams and hallucinations and includes interaction
between humans, angels and ghosts, but it's near impossible to not become invested in
this examination of AIDS and homosexuality in America during the 1980s as we
predominantly follow the relationship between two gay men in New York, Louis
Ironson and Prior Walter, and the various people who intersect their lives.
Angels in America has such complexity in its structure with quick emotion-charged
scene (and world) changes, and with actors often playing numerous characters,
but Abrahams pulls it off fabulously. He has achieved absolute perfection in
his casting of such a formidable group of actors, leading to some of the
strongest performances I have seen all year.
