Showing posts with label Speak Percussion. Show all posts
Showing posts with label Speak Percussion. Show all posts

Saturday, 20 August 2022

Scream Star review | Speaker Percussion | Arts House

Worlds collide in Speak Percussion's new collaborative performance, Scream Star, where three artists from around the globe have come together with three pieces of live music that intersect sound, the moving image and percussion. London-based Matthew Shlomowitz, German Johannes Kreidler and New Yorker Jessie Marino present unique compositions that investigate the playfulness and creativity of sound and music exploration.

The opener by Shlomowitz is an imagined variety show called Hey Hey It’s Tuesday. Archival footage of people lining up for shows, on stage, backstage and everything in between is projected onto a screen as the composers play with a number of percussion instruments including cymbals, drums and xylophones. Through this, we discover  ways of how the moving image can interact with new sounds and to appreciate new ways of hearing sound. The segment involving the Kiama Blowhole, the largest in the world, is a particular highlight.

Sunday, 10 September 2017

Assembly Operation review

Our ticket for Speak Percussion's Assembly Operation is a Chinese one Yuan note, but this isn't just for novelty. The program tells us the inspiration for the show comes from the image that is printed on this note, and it allows us an opportunity to see the image and to better understand the show's concept. On it is an image from the West Lake in Hangzhou, which depicts three pools reflecting the moon. A body of water, a bridge and three ceramic stupas (pagodas) are also shown, and it is these items that influences Assembly Operation.

Walking in, we see three rows of tables facing the audience, each row adorned with different items. The one furthest to the back holds three small electronic keyboards whereas the middle one has a variety of traditional looking ceramics and a number of instruments, including drums. The front table is where the three percussionists, Kaylie Melville, Matthias Schack-Arnott and Eugene Ughetti, sit motionless. They are surrounded by crumpled up tissue paper, and knowing what we know about the show, it looks like a sea of water is surrounding them. A recording in Chinese plays through a PA or a megaphone and what its saying is lost on me, but I believe it to be sprouting cultural propaganda. Suddenly it stops, and the three percussionists begin.