L'amante Anglaise review | fortyfivedownstairs

Based on Marguerite Duras' 1967 novella, L'amante Anglaise (The English Lover) is on the surface a murder mystery story, but look a little deeper and it is an exploration of what happens to a person when the life they are leading turns out to be the life they never wanted. Originally performed at La Mama, this stage adaptation has been remounted for a second season at fortyfivedownstairs. Having missed it first time round, I was very thankful I managed to get to it now for it really is a breathtaking performance. 

The story unfolds in two interviews conducted by nameless interrogators over the brutal murder of a woman in a small town in France. The dismembered body is discovered at a railway viaduct, missing her head. Furthermore, the novella is based on true events, adding to the darkness and brutality to the proceedings. 

The Resilience Project: Gratitude, Empathy and Mindfulness

My smile hides a lot. It hides my fear, my sadness, my loneliness and my anxiety. It hides the fact that I still feel like my life has had little accomplishment and always wondering when my break will come. When will I feel accepted? When will I feel loved? When will I be happy?

A year ago, I wrote about my (self-diagnosis of) depression after having watched Bryony Kimmings's "Fake It Till You Make It", and it was about then I started seeing a psychologist. While Dr C determined I did not have depression, he did diagnose me with severe general anxiety disorder. Great I thought, I've been diagnosed now I can get fixed. I saw Dr C fortnightly - sometimes weekly - for a year, and we would discuss different techniques and exercises I could do to manage my anxiety and while I always walked out of the session determined to do them, I never did.

Blurring reality with Kill Climate Deniers

I first came across David Finnigan's work at the 2013 Melbourne Fringe Festival show, Kids Killing Kids. In this, Finnigan and three other playmakers responded to the worldwide response they received to their adaptation of the Japanese novel/manga/film Battle Royale. It was an incredibly thought provoking piece on the responsibilities theatre makers have to their cast, their audience and the wider community. Kill Climate Deniers, is Finnigans' most recent work, which despite not even been staged yet, has already received much media scrutiny.

Kill Climate Deniers revolves around one evening where 96 armed eco-terrorists who - while Fleetwood Mac are performing a concert at Parliament House - take over the building and threaten to execute everyone inside, including the Environment Minister unless the Prime Minister puts a stop to climate change.

Manxious review

Manxious: the nerves and anxiety one exhibits while waiting for a man to text back. It's a serious affliction and something that Rachel Rai want to share with us in her cabaret show, Manxious. Despite its worrisome theme, it’s a fun show that not only showcases Rai’s ability to sing and perform, but also gives the audience plenty of laughs.

Rai intersperses a diverse number of songs throughout the evening as she goes through the excruciating process of waiting for a response to her perfectly created text. These numbers have been reimagined in ways that give them new life and celebrate Rai's versatility as a singer. Her inclusion of some iconic Australian songs would have to be the musical highlight of Manxious, including her audience rousing cover of John Farnham's “Pressure Down”. Another surprise was the theme from Home And Away, which was the last musical number I would ever expect to hear in a cabaret show, but Rai manages to make it feel like a genuine, heartfelt song.

Trilogy review | Arts House

Before Trilogy begins, Nic Green appears on stage to inform us that due to unforeseen circumstances, her co-performer, Laura Bradshaw, would not be participating this evening. Rather than cancel it, Green has fortunately decided to make some changes to allow the show to work. I say fortunately, because Trilogy ends up being a brilliant feminist performance art piece on women reclaiming their bodies and their rights, and it would have been an absolutely shame to miss out on this experience.

The first part of Trilogy looks at how women's bodies are presented in the public eye and how women view their own bodies. Green begins with a humourous cheerleading routine that eventually turns into a group of about 30 Melbourne women performing a dance with a freer choreography. However, these volunteers are naked and cover all shapes, sizes, ages and races. They dance joyfully and connect with each other, allowing all their body parts to move along to the music uninhibited. These women are proud and will not conform to the expectations that they must be quiet and passive. It is a physical celebration of women and their bodies, of being a woman and of what it means to be a woman.