The show follows a structured yet fluid format. On one side of the stage, Prendergast shares a pivotal moment from her cancer journey - whether it’s the fear and reality of losing her hair and the unexpected confidence that comes from wigs, or the heartbreak of realising the self-proclaimed Cartwheel Kid could no longer do cartwheels. With a whimsical transition (complete with magical music), she then moves to the other side of the stage to perform a sketch inspired by what we have heard.
The sketches are where her creativity shines. She mixes storytelling styles, using everything from a children’s picture book and character-driven comedy to pre-filmed segments projected onto a screen. Musical numbers also make an appearance, adding further layers to her dynamic performance. The wig discussion, in particular, is a standout segment, blending humour and insight with great delivery. Another highlight is her analysis of her breasts post-surgery, which she affectionately refers to as Boomer Boob and Millennial Boob.
It’s clear much thought and care has gone into this show, and it pays off. Cancer and Cartwheels isn’t a flashy or high-energy production, but it doesn’t need to be because it’s full of warmth, heart, and an authenticity that immediately draws you in. Prendergast has a natural, inviting presence that makes even the heaviest of scenes feel approachable.
Prendergast’s account of living with cancer is detailed yet never overwhelming. Instead, she balances honesty with lightness, ensuring the audience is both engaged and moved. Comedy may be tragedy plus time, and Prendergast has found the perfect equation, one that lingers long after the final bow.
SHOW DETAILS
Venue: The Motley Bauhaus, 118 Elgin St, Carlton
Season: until 6 April | 5.45pm
Duration: 55 minutes
Tickets: $28 Full | $21 Conc
Bookings: Melbourne International Comedy Festival
No comments:
Post a Comment